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Music and the moderni, 1300-1350
Music theorists labelled the musical art of the 1330s and 1340s as 'new' and 'modern'. A close reading of writings on music theory and the polyphonic repertory from the first half of the fourteenth century reveals a modern musical art that arose due to specific innovations in music notation. The French ars nova employed as its theoretical fundament a new system for arranging musical time proposed by the astronomer and mathematician Jean des Murs. Challenging prevailing accounts of the ars nova, this book presents the 'new art' within the intellectual context of its time, revises the datings of Jean des Murs's writings on music theory, and presents the intersection of theory and practice for a crucial era in the history of music. Through contemporaneous accounts, Desmond explores how individuals were involved in 'changing' music in early fourteenth-century France, and the technical developments they pursued that precipitated this stylistic change.
The Motet in the Late Middle Ages
A unique capacity of measured polyphony is to give precisely fixed places not only to musical notes, but also to individual words in relation to them and each other. The Motet in the Late Middle Ages offers innovative approaches to the equal partnership of music and texts in motets of the fourteenth century and beyond, showcasing the imaginative opportunities afforded by this literal kind of intertextuality, and yielding a very different narrative from the common complaint that different simultaneous texts make motets incomprehensible. As leading musicologist Margaret Bent asserts, they simply require a different approach to preparation and listening. In this book, Bent examines the words an...
Magister Jacobus de Ispania, Author of the Speculum musicae
The Speculum musicae of the early fourteenth century, with nearly half a million words, is by a long way the largest medieval treatise on music, and probably the most learned. Only the final two books are about music as commonly understood: the other five invite further work by students of scholastic philosophy, theology and mathematics. For nearly a century, its author has been known as Jacques de Liège or Jacobus Leodiensis. ’Jacobus’ is certain, fixed by an acrostic declared within the text; Liège is hypothetical, based on evidence shown here to be less than secure. The one complete manuscript, Paris BnF lat. 7207, thought by its editor to be Florentine, can now be shown on the basi...
Diana Lucifera
Diana Lucifera is based on biblical facts and fiction. It draws on Christian and pagan beliefs to relate the story of one woman's struggle to have a child; how she dabbled with the devil and evil forces and through persistence overcame all adversities. The story combines elements of suspense and emotion and is designed to entertain as well as enlighten and provoke thought. The story centers on Diana-Artemis, the biblical goddess of fertility. John, a biblical archaeologist took along his barren wife Karen on a dig in search of the lost statue of Artemis. Karen sold her soul to the devil and made a pact in order to have a child unbeknownst to John. Karen became pregnant and possessed and began having unnatural sex with a demonic entity. Now the couple was really scared. The fetus just wouldn't abort and an exorcism was a failure. Finally Karen gave birth to Desmond. John and Karen separated and then divorced. The super wealthy Rhams adopted Desmond in a sealed adoption. At puberty, killing powers erupted in Desmond. After murdering his adoptive parents and biological father, Desmond went to kill his mother. She, now exorcised, kills him instead, thus good overcoming evil.
Composers in the Middle Ages
A reflection on the idea of the "composer" in the medieval period, including a study of the individuals and groups active in the creation of medieval music. The modern concept of the individual composer is central to accounts of Western music, and continues to represent a critical field of research in musicology. However, this approach cannot be straightforwardly transposed to the Middle Ages, as it does not reflect the complex creative realities of medieval composition, and conflicts with the evidence from extant sources and documentation. This collection, the first full-length study of the subject, questions and revises the concept of the composer for the medieval period through five thema...
Music and Instruments of the Middle Ages
Essays on important topics in early music.
A Critical Companion to Medieval Motets
First full comprehensive guide to one of the most important genres of music in the Middle Ages.
Reader's Guide to Music
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Manuscripts and Performances in Religions, Arts, and Sciences
Throughout history, manuscripts have been made and used for religious, artistic, and scientific performances, and this practice continues in most cultures today. By focusing on the role manuscripts have in different kinds of performances, this volume contributes to the evolving field of investigating written artefacts and their functions. The collected essays regard manuscripts as points of intersection where textual, material, and performative aspects converge. The contributors analyse manuscripts in their forms and functions as well as their positioning in the performances for which they were made. These aspects unfold across the volume's three sections, examining how manuscripts are (1) used backstage, for preparing and giving instructions for performances; (2) taken onstage, contributing to the enactment of performances; and (3) performers in their own right, producing an effect on the audience. The diversified, interdisciplinary, and innovative methodologies of the included papers carry great potential to expand the traditional approaches of manuscript studies and find application outside the contributors' respective fields.
César Franck
César Franck (1822–1890), Belgian born and French domiciled, was one of the most remarkable composers of the 19th century. A number of his works are commonly recorded—such as his Symphony in D Minor, Symphonic Variations, Violin Sonata, and the ever-popular Panis Angelicus—and yet 38 years have elapsed since a biography of him appeared in English. Now with César Franck: His Life and Times, R. J. Stove fills this gap in the history of late 19th-century classical music with a full-length study of the man and his music. Drawing on sources never before cited in English, Stove paints a far more detailed picture of this great musician and deeply loved man, whose influence in both his nativ...
