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Hunter of Themes
Krzizanovskij summed himself up in one of his notebooks: "I am known for being unknown." Yet he was an authority on Shakespeare and Shaw, a noted scholar, and the author of very popular dystopian and phantasmagoria short stories. Rosenflanz examines the life and work of this Russian modernist, whose imagination used the Russian formalism and futurism then current in new and rich ways, whose skill with the pun rose even to the aural level, and whose life's goal was to resurrect the idea of word as thing in all its permutations: as words, as things, as things-words, and as words-things, even unto words as prophecy, which Rosenflanz interprets as "recollections of the future." Krzizanovskij's being known for being unknown is perhaps rooted in the fact that he was so far ahead that others could not recognize him as leading the charge. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
H.G. Wells and All Things Russian
H. G. Wells and All Things Russian is a fertile terrain for research and this volume will be the first to devote itself entirely to the theme. Wells was an astute student of Russian literature, culture and history, and the Russians, in turn, became eager students of Wells’s views and works. During the Soviet years, in fact, no significant foreign author was safer for Soviet critics to praise than H. G. Wells. The reason was obvious. He had met – and largely approved of – Lenin, was a close friend of the Soviet literary giant Maxim Gorky and, in general, expressed much respect for Russia’s evolving Communist experiment, even after it fell into Stalin’s hands. While Wells’s attitude towards the Soviet Union was, nevertheless, often ambivalent, there is definitely nothing ambiguous about the tremendous influence his works had on Russian literary and cultural life.
Russian Writers and the Fin de Siècle
An essay collection that explores Russian literature and culture in relation to the late nineteenth-century fin de siècle.
Reading Backwards
This book outlines with theoretical and literary historical rigor a highly innovative approach to the writing of Russian literary history and to the reading of canonical Russian texts. "Anticipatory plagiarism” is a concept developed by the French Oulipo group, but it has never to my knowledge been explored with reference to Russian studies. The editors and contributors to the proposed volume – a blend of senior and beginning scholars, Russians and non-Russians – offer a set of essays on Gogol, Dostoevsky, and Tolstoy which provocatively test the utility of AP as a critical tool, relating these canonical authors to more recent instances, some of them decidedly non-canonical. The senior...
That Third Guy
Part I. Krzhizhanovsky on theater -- Part II. That third guy -- Part III. Krzhizhanovsky on Shaw and Shakespeare -- Part IV. Krzhizhanovsky on Pushkin.
Historical Dictionary of Russian Literature
The Historical Dictionary of Russian Literature contains a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 100 cross-referenced entries on significant people, themes, critical issues, and the most significant genres...
The Letter Killers Club
The Letter Killers Club is a secret society of self-described “conceivers” who, to preserve the purity of their conceptions, will commit nothing to paper. (What, after all, is your run-of-the-mill scribbler of stories if not an accomplished corruptor of conceptions?) The logic of the club is strict and uncompromising. Every Saturday, members meet in a firelit room filled with empty black bookshelves where they strive to top one another by developing ever unlikelier, ever more perfect conceptions: a rehearsal of Hamlet hijacked by an actor who vanishes with the role; the double life of a merry medieval cleric derailed by a costume change; a machine-run world that imprisons men’s minds while conscripting their bodies; a dead Roman scribe stranded this side of the River Acheron. But in this book set in an ominous Soviet Moscow of the 1920s, the members of the club are strangely mistrustful of one another, while all are under the spell of its despotic President, and there is no telling, in the end, just how lethal the purely conceptual—or, for that matter, letters—may be.
