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Entendendo os estudos da linguagem como um campo inter(trans)disciplinar, temos uma agenda bastante ampla acerca de estudos teóricos e aplicados no campo das Linguísticas. Da Linguística Teórica à Linguística Aplicada, o objeto de estudo é sempre a língua(gem) em que se transgride fronteiras disciplinares convencionais, objetivando desenvolver novas agendas de pesquisa encabeçadas por uma ampla variedade de disciplinas que nada tem de subalternas, mas de poderosos caminhos para ação. Estas estão em célebres discussões subsidiando uma a outra para estabelecer diálogos profícuos nos diversos campos de investigação, trazendo consigo o caminho intercambiável em diferentes áreas do conhecimento, de soluções para problemas linguísticos socialmente relevantes e de construções conceituais conjuntas. Esta obra agrega saberes com o produto do olhar subjetivo de cada pesquisador e contribui para a ampliação da pesquisa científica e acadêmica sobre o fenômeno da língua(gem), compilando importantes pesquisas e olhares sobre o fenômeno que nos constitui como atores sociais: a língua(gem).
Provides information on integrating digital storytelling into curriculum design.
This text examines the Mindtool concept - alternative ways of using computer applications to engage in constructive, high-order thinking about particular areas of study, thus extending learning outcomes and expectations beyond recall and helping learners become self-directed critical thinkers. Jonassen presents: a rationale for using Mindtool; in-depth discussions of the indiviidual Mindtools and their use; and suggestions for teaching with mindtools and evaluating the results.
"A subject collection from Cold Spring Harbor perspectives in medicine."
'Facing the Music' provides a rich resource for reflection and practice for all those involved in teaching and learning music in culturally diverse environments, from policy makers to classroom teachers. Schippers gradually unfolds the complexities and potential of learning and teaching music 'out of context'.
This groundbreaking anthology documents the recent explosion of art that agitates for progressive social change. Leading art critics, historians, and journalists explore the provocative methods of activist artists who reject conventional art practices in favor of public sites and community participation.
Practice-as-Research: In Performance and Screen presents a thoroughgoing exploration of the major fissures of established knowledge created by a new trans-disciplinary, worldwide project for the twenty-first century. Focussing on the most fleeting and yet pervasive practices of the performance and screen arts, it both documents and analyses the practical-theoretical integration of hands-on creative and scholarly methods of research. Through an innovative combination of manuscript, catalogue and digital multi-media formats, it aims to embody the principles of performance and screen practice-as-research in its structure and design – making book pages and DVD images mutually illuminating. With over fifty practitioner-researcher contributors, Practice-as-Research constitutes the most comprehensive presentation of this sometimes controversial and frequently fresh way of doing things with an imaginative convergence of artistic and scholarly processes.
This collection of recent works by Norman K. Denzin provides a history of the field of qualitative inquiry over the past two decades. As perhaps the leading proponent of this style of research, Denzin has led the way toward more performative writing, toward conceptualizing research in terms of social justice, toward inclusion of indigenous voices, and toward new models of interpretation and representation. In these 13 essays—which originally appeared in a wide variety of sources and are edited and updated here—the author traces how these changes have transformed qualitative practice in recent years. In an era when qualitative inquiry is under fire from conservative governmental and academic bodies, he points the way toward the future, including a renewed dialogue on paradigmatic pluralism.
Over the past two decades anthropologists have been challenged to rethink the nature of ethnographic research, the meaning of fieldwork, and the role of ethnographers. Ethnographic fieldwork has cultural, social, and political ramifications that have been much discussed and acted upon, but the training of ethnographers still follows a very traditional pattern; this volume engages and takes its point of departure in the experiences of ethnographers-in-the-making that encourage alternative models for professional training in fieldwork and its intellectual contexts. The work done by contributors to Fieldwork Is Not What It Used to Be articulates, at the strategic point of career-making research...