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Dieses Buch über Karl Freiherr von Reichenbach ist weiterhin das einzige Werk über den größten Wissenschaftler des 19. Jahrhunderts. Hier sind alle bekannten biographischen Daten zu finden. Außerdem wird das umfangreiche Werk dieses Wissenschaftlers ausführlich besprochen. Der Leser erhält damit einen Einblick über Reichenbachs Forschungen in Bezug auf das von ihm so genannte Od. Hierbei handelt es sich um das gleiche wie die Orgonenergie oder weiche Elektronen, die auch unter dem Namen Lebenskraft bekannt sind. Bis heute werden diese Teilchen nicht von der akademischen Wissenschaft anerkannt, obwohl inzwischen kein Zweifel mehr an ihrer Existenz besteht. Schon Jacob Lorber hat vor 170 Jahren über diese Energie Bescheid gewusst und dass diese von der Sonne stammt und eine große Anzahl normaler harter Elektronen enthält, die in Wirklichkeit als die Lebenskraft bezeichnet werden können. Auch die anderen Forschungen Reichenbachs in Bezug auf Chemie und Meteoriten werden in diesem Buch genau besprochen. Insgesamt gibt dieses Werk einen ausgezeichneten Überblick über das Leben und Schaffen dieses großartigen Mannes. Das Buch enthält ca. 90 farbige Abbildungen.
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Odic force is a vital energy or life force that permeates all living plants, animals, and humans. The author was the first person to approach this force scientifically, having conducted hundreds of careful experiments. He worked with people who were sensitive enough to accurately detect the polarity of magnets because they could actually see it. These people also saw the human auraan energy field connected to the human body, plus detected an energy-related color spectrum that was linked to metals and minerals. This is a simplified version of a more advanced text, making it perfect for those wishing to grasp the subject.
In the early days of photography, many believed and hoped that the camera would prove more efficient than the human eye in capturing the unseen. Spiritualists and animists of the nineteenth century seized on the new technology as a method of substantiating the existence of supernatural beings and happenings. This fascinating book assembles more than 250 photographic images from the Victorian era to the 1960s, each purporting to document an occult phenomenon: levitations, apparitions, transfigurations, ectoplasms, spectres, ghosts, and auras. Drawn from the archives of European and American occult societies and private and public collections, the photographs in many cases have never before been published. The Perfect Medium studies these rare and remarkable photographs through cultural, historical, and artistic lenses. More than mere curiosities, the images on film are important records of the cultural forces and technical methods that brought about their production. They document in unexpected ways a period when developing photographic technology merged with a popular obsession with the occult to create a new genre of haunting experimental photographs.
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