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The Anti-Journalist
In turn-of-the-century Vienna, Karl Kraus created a bold new style of media criticism, penning incisive satires that elicited both admiration and outrage. Kraus’s spectacularly hostile critiques often focused on his fellow Jewish journalists, which brought him a reputation as the quintessential self-hating Jew. The Anti-Journalist overturns this view with unprecedented force and sophistication, showing how Kraus’s criticisms form the center of a radical model of German-Jewish self-fashioning, and how that model developed in concert with Kraus’s modernist journalistic style. Paul Reitter’s study of Kraus’s writings situates them in the context of fin-de-siècle German-Jewish intelle...
Karl Kraus
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Karl Kraus and the Critics
Karl Kraus and the Critics, the first study devoted entirely to a century of critical reactions to this controversial satirist, who was both deified and vilified in his lifetime and in the six decades since his death, attempts to reduce an enormous amount of criticism to manageable dimensions and to give a typology of this commentary. By means of copious quotation from both major and minor studies as well as reliable translation it provides some access to criticism that has been published only in German. A chronology of Kraus's life and works and an extensive bibliography of both primary and secondary writings are intended to enhance the reference value of this book and to stimulate further reading and research.
In These Great Times
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Karl Kraus
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No Compromise
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The Kraus Project
A great American writer’s confrontation with a great European critic – a personal and intellectual awakening.
Anti-Freud
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Masks of the Prophet
'When the name "Hitler" is mentioned, nothing occurs to me' – so said Karl Kraus. For this leading Viennese Jewish critic and intellectual the touchstone of art was ethics. How could he be speechless in the face of a threat to all that ethics means? To answer this question, the author makes a detailed chronological study of Kraus's intellectual activity as reflected in his work on the theatre. The results are presented in five chapters, each dealing with a different 'mask' adopted by Kraus during the period 1892-1936. Grimstad considers not only theatre and drama criticism in Die Fackel and Kraus's dramatic writings, but also biographical data, to help uncover the rationale of his work. Th...
