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"If the Balkans hadn't existed, they would have been invented" was the verdict of Count Hermann Keyserling in his famous 1928 publication, Europe. Over ten years ago, Maria Todorova traced the relationship between the reality and the invention. Based on a rich selection of travelogues, diplomatic accounts, academic surveys, journalism, and belles-lettres in many languages, Imagining the Balkans explored the ontology of the Balkans from the sixteenth century to the present day, uncovering the ways in which an insidious intellectual tradition was constructed, became mythologized, and is still being transmitted as discourse. Maria Todorova, who was raised in the Balkans, is in a unique position...
Origin of the German Trauerspiel was Walter Benjamin’s first full, historically oriented analysis of modernity. Readers of English know it as “The Origin of German Tragic Drama,” but in fact the subject is something else—the play of mourning. Howard Eiland’s completely new English translation, the first since 1977, is closer to the German text and more consistent with Benjamin’s philosophical idiom. Focusing on the extravagant seventeenth-century theatrical genre of the trauerspiel, precursor of the opera, Benjamin identifies allegory as the constitutive trope of the Baroque and of modernity itself. Allegorical perception bespeaks a world of mutability and equivocation, a melanch...
Olster explores Byzantine Christian reactions to the catastrophic Persian and Arab invasions, challenging long-held assumptions that divided "religious" from "secular" literature and exempted religion from contemporary social, political, and intellectual discourse.
Quantum Theory, together with the principles of special and general relativity, constitute a scientific revolution that has profoundly influenced the way in which we think about the universe and the fundamental forces that govern it. The Historical Development of Quantum Theory is a definitive historical study of that scientific work and the human struggles that accompanied it from the beginning. Drawing upon such materials as the resources of the Archives for the History of Quantum Physics, the Niels Bohr Archives, and the archives and scientific correspondence of the principal quantum physicists, as well as Jagdish Mehra's personal discussions over many years with most of the architects of quantum theory, the authors have written a rigorous scientific history of quantum theory in a deeply human context. This multivolume work presents a rich account of an intellectual triumph: a unique analysis of the creative scientific process. The Historical Development of Quantum Theory is science, history, and biography, all wrapped in the story of a great human enterprise. Its lessons will be an aid to those working in the sciences and humanities alike.
This collection of twenty essays examines the art, profession and idea of the actor in Greek and Roman antiquity, and has been commissioned and arranged to cast as much interdisciplinary and transhistorical light as possible on these elusive but fascinating ancient professionals. It covers a chronological span from the sixth century BC to Byzantium (and even beyond to the way that ancient actors have influenced the arts from the Renaissance to the twentieth century) and stresses the huge geographical spread of ancient actors. Some essays focus on particular themes, such as the evidence for women actors or the impact of acting on the presentation of suicide in literature; others offer completely new evidence, such as graffiti relating to actors in Asia Minor; others ask new questions, such as what subjective experience can be reconstructed for the ancient actor. There are numerous illustrations and all Greek and Latin passages are translated.
In Ammianus Marcellinus: An Annotated Bibliography, 1474 to the Present, Fred W. Jenkins surveys scholarship on Ammianus from the editio princeps to the present. Included are bibliographies, editions, translations, commentaries, concordances and indexes, Web sites, and secondary scholarship in many languages.
Studies on the reception of the classical tradition are an indispensable part of classical studies. Understanding the importance of ancient civilization means also studying how it was used subsequently. This kind of approach is still relatively rare in the field of Byzantine Studies. This volume, which is the result of the range of interests in (mostly) non-English-speaking research communities, takes an important step to filling this gap by investigating the place and dimensions of ’Byzantium after Byzantium’. This collection of essays uses the idea of ’reception-theory’ and expands it to show how European societies after Byzantium have responded to both the reality, and the idea of...