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Imagining the Balkans
"If the Balkans hadn't existed, they would have been invented" was the verdict of Count Hermann Keyserling in his famous 1928 publication, Europe. Over ten years ago, Maria Todorova traced the relationship between the reality and the invention. Based on a rich selection of travelogues, diplomatic accounts, academic surveys, journalism, and belles-lettres in many languages, Imagining the Balkans explored the ontology of the Balkans from the sixteenth century to the present day, uncovering the ways in which an insidious intellectual tradition was constructed, became mythologized, and is still being transmitted as discourse. Maria Todorova, who was raised in the Balkans, is in a unique position...
Roman Defeat, Christian Response, and the Literary Construction of the Jew
Olster explores Byzantine Christian reactions to the catastrophic Persian and Arab invasions, challenging long-held assumptions that divided "religious" from "secular" literature and exempted religion from contemporary social, political, and intellectual discourse.
A Companion to Byzantine Chronicles
A Byzantine chronicle is a retelling of history, usually beginning with the creation of the world, written in simple language and enriched by colourful anecdotes or tantalizing details on political intrigues. Though extremely popular in the Middle Ages, these texts were long disregarded by scholars due to their historical unreliability and lack of originality. Now, however, they are increasingly appreciated for the insights they provide into Byzantine ideology and the complex interaction of reading and writing in Byzantium. This volume highlights and contributes to the radical re-evaluation of this long-neglected genre of medieval literature. Contributors are: Raimondo Tocci, William Adler, Thomas M. Banchich, Albrecht Berger, Richard W. Burgess, John Burke, Réka Forrai, Christian Gastgeber, Martin Hinterberger, Marek Jankowiak, Ralph-Johannes Lilie, Athanasios Markopoulos, Mischa Meier, Federico Montinaro, Diether Roderich Reinsch, Fabian Schulz, Roger Scott, Paul Tuffin, Staffan Wahlgren, and Varvara Zharkaya.
Origin of the German Trauerspiel
Origin of the German Trauerspiel was Walter Benjamin’s first full, historically oriented analysis of modernity. Readers of English know it as “The Origin of German Tragic Drama,” but in fact the subject is something else—the play of mourning. Howard Eiland’s completely new English translation, the first since 1977, is closer to the German text and more consistent with Benjamin’s philosophical idiom. Focusing on the extravagant seventeenth-century theatrical genre of the trauerspiel, precursor of the opera, Benjamin identifies allegory as the constitutive trope of the Baroque and of modernity itself. Allegorical perception bespeaks a world of mutability and equivocation, a melanch...
Die verhaal van die Griekse Taal oor 35 Eeue heen
Vir die eerste keer in Afrikaans (die jongste Westerse taal wat in die afgelope eeu reeds sy eie unieke letterkunde geskep het) word die verhaal van Grieks vertel, die oudste Westerse taal waarin feitlik al die bekende literere genres hul weergalose vorm en gestalte gekry het. Hoewel hierdie publikasie basies linguisties van aard is, poog die skrywer om die dramatis personae self ook aan die woord te stel in plaas van om net in taalkundige jargon te verval. Om 'n werk soos hierdie saam te stel, vereis kundigheid in verskeie vaksubgebiede wat begin by oer-Grieks in sy sillabiese lynskriffases A en B. Die Grieks van die Goue Era van Perikles se Athene (circa 500 v.C.) is die bekendste. Min men...
