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This collection of essays and interviews investigates current practices that expand our understanding and experience of performance through the use of state-of-the-art technologies. It brings together leading practitioners, writers and curators who explore the intersections between theatre, performance and digital technologies, challenging expectations and furthering discourse across the disciplines. As technologies become increasingly integrated into theatre and performance, Interfaces of Performance revisits key elements of performance practice in order to investigate emergent paradigms. To do this five concepts integral to the core of all performance are foregrounded, namely environments,...
Designers are often depicted as social change agents that serve the good in the world. Similarly, co-design tends to be described as a democratic mode of creativity that is somehow beyond reproach. But is change a virtue in itself, and do participatory practices always produce socially beneficial outcomes? Such questions are becoming more pressing as co-design has emerged as a dominant practice in planning and urban design, while also informing corporate management and public administration. In this book, Otto von Busch and Karl Palmås suggest that designers tend to overemphasize the place of ideals in design, leaving them ill-equipped to deal with a social world of power-wielding and zero-sum games. Seeking to reorient the concerns of the Scandinavian tradition of participatory design, they suggest that co-design processes are rife with betrayals, decay, and corruption, and that designerly empathy has morphed into a new form of cunning statecraft. In putting forward Realdesign as an alternative conception of design practice, von Busch and Palmås ask: What hard lessons about the social must today’s designers learn from realists like Machiavelli?
The number of cultural parks has been steadily increasing in recent years throughout the world. But what is a cultural park? This book provides a detailed answer to this question and sets out the basis for an academic debate that moves beyond the technical narratives that have prevailed to date. It is important to open up the topic to academic scrutiny given that cultural parks are becoming widespread devices being employed by different institutions and social groups to manage and enhance cultural and natural heritage assets and landscapes. The main problem in dealing with this topic is the predominant lack of theory-grounded, critical reflection in the literature about cultural parks. These...
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What is steampunk and why are people across the globe eagerly embracing its neo-Victorian aesthetic? Old-fashioned eye goggles, lace corsets, leather vests, brass gears and gadgets, mechanical clocks, the look appears across popular culture, in movies, art, fashion, and literature. But steampunk is both an aesthetic program and a way-of-life and its underlying philosophy is the key to its broad appeal. Steampunk champions a new autonomy for the individual caught up in today's technology-driven society. It expresses optimism for the future but it also delivers a note of caution about our human role in a world of ever more ubiquitous and powerful machines. Thus, despite adopting an aesthetic and lifestyle straight out of the Victorian scientific romance, steampunk addresses significant 21st-century concerns about what lies ahead for humankind. The movement recovers autonomy from prevailing trends even as it challenges us to ask what it is to be human today.