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Stealing Obedience
Explores how a Christian notion of freedom incurring responsibility was a component of identity, examining secular writings, liturgy, canon and civil law, chronicle, dialogue, and hagiography to analyze the practice of obedience in the monastic context.
Heaven and the Flesh
Do angels make love? Will the souls of ordinary people feel sexual pleasure in the next world? Is the aspiration to spiritual salvation helped or hindered by sexual experience? In Heaven and the Flesh Clive Hart and Kay Stevenson explore the opinions of poets and painters on such questions, from the high Renaissance to the birth of romanticism. Hart and Stevenson analyse the work not only of canonical writers and artists, such as Milton and Michelangelo, but also of lesser-known figures such as John Gore and Richard Tompson, and the sometimes anguished speculations of philosophers and theologians. As the evidence of witty pornographic poems and drawings demonstrates, the relationship between sexual desire and spiritual ascension was not always treated with full seriousness. This wide-ranging survey offers sometimes surprising insights into material both familiar and unfamiliar.
Books and Libraries in Early England
The essays in this second volume from Helmut Gneuss are devoted to the study of books, their readers, and libraries in medieval England, especially in the Anglo-Saxon period. The selection opens with a survey of the history of the medieval English library, followed by detailed studies of Anglo-Saxon book production. These also examine its relation in the 9th century to King Alfred's plan for educational reform, and to the intellectual history of the 10th century. Two articles deal with liturgical books, and include the standard classified list of liturgical manuscripts. To end, there is an analysis of the earliest modern catalogue of books with Old English texts, that by George Hickes, and an investigation of the history of the Latin hymnal in Britain.
International Law Reports
International Law Reports is the only publication in the world wholly devoted to the regular and systematic reporting in English of courts and arbitrators, as well as judgements of national courts.
Imagining Selves
The 13 essays in this title, most of which focus on the 18th century, survey diverse cultural artefacts that include memoirs, histories, plays, poems, courtesy manuals, children's tales, novels, paintings and even resin! The essays explore relationships between character, context and text and engage various genres and geographies.
Learning and Literature in Anglo-Saxon England
An collection of essays by specialists in the field examining Anglo-Saxon learning and text interpretation and transmission.
Anglo-Saxon Manuscripts
Anglo-Saxon Manuscripts is the first publication to list every surviving manuscript or manuscript fragment written in Anglo-Saxon England between the seventh and the eleventh centuries or imported into the country during that time. Each of the 1,291 entries in Helmut Gneuss and Michael Lapidge's Bibliographical Handlist not only details the origins, contents, current location, script, and decoration of the manuscript, but also provides bibliographic entries that list facsimiles, editions, linguistic analyses, and general studies relevant to that manuscript. A general bibliography, designed to provide full details of author-date references cited in the individual entries, includes more than 4,000 items. Compiled by two of the field's greatest living scholars, the Gneuss-Lapidge Bibliographical Handlist stands to become the most important single-volume research tool to appear in the field since Greenfield and Robinson's Bibliography of Publications on Old English Literature. Their achievement in the present book will endure for many decades and serve as a catalyst for new research across several disciplines.
One Family’s Shoah
Deploying concepts of interpretation, liberation, and survival, esteemed literary critic Herbert Lindenberger reflects on the diverse fates of his family during the Holocaust. Combining public, family, and personal record with literary, musical, and art criticism, One Family's Shoah suggests a new way of writing cultural history.
