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This book offers thirteen case studies from premodern and contemporary Europe that demonstrate the process through which political corporations-bodies politic-were and continue to be constructed and challenged.
The book demonstrates how illustrated printed books played an active role in identity-building processes in the Hungarian Kingdom. It shows the influence of Latin-language histories of Hungary in the areas of imagery of the Hungarian political community, visual representations of Hungarian patron saints, rulers, nobility and aristocracy. These books were and still are influential carriers of messages about the shared past. They were used as an important means of communication and as objects through which models of self- and collective identifications were imprinted. Their long afterlives, due to numerous editions, translations, adaptations and transpositions into other media, gradually unified the historical imagery, thus forming a key component for the identifications of the books' recipients.
Mail armour (commonly mislabelled 'chainmail') was used for more than two millennia on the battlefield. After its invention in the Iron Age, mail rapidly spread all over Europe and beyond. The Roman army, keen on new military technology, soon adopted mail armour and used it successfully for centuries. Its history did not stop there and mail played a vital role in warfare during the Middle Ages up to the Early Modern Period. Given its long history, one would think mail is a well-documented material, but that is not the case. For the first time, this books lays a solid foundation for the understanding of mail armour and its context through time. It applies a long-term multi-dimensional approach to extract a wealth of as yet untapped information from archaeological, iconographic and written sources. This is complemented with technical insights on the mail maker's chaîne opératoire.
At first glance, art and politics seem like they couldn't be more separate, with politics focused on the grubbiness of everyday reality and art busily creating a fantasy world of creative expression. Yet the two realms frequently come together, and the collision can be fiery. This book explores the position of art and artists under a number of different political regimes of the twentieth and twenty-first centuries, traveling around the world to consider how art and politics have interacted and influenced each other in different conditions. Joes Segal takes us to the Third Reich, where Emil Nolde painted under pressure; shows us Diego Rivera creating Marxist murals in Mexico and the United States; ties Jackson Pollock's drip paintings to their Cold War context; and considers the countless images of Mao Zedong in China. In each case, he analyses the inherent tension between free expression and ideology, the aims of the artist and the exigencies of politics.
Political ecology has developed as an academic discipline in reaction to the increased concern of nations and individuals about humanity's adverse impact on the environment and the ways international bodies have moved to counter this impact. This new text draws together international experts at the cutting edge of this new field to focus on real world examples of problems and the tension between developed and developing states.
The making, eating, and sharing of food throughout society represents an important and exciting area of study with the potential to advance the field of scholarship, particularly in the context of Scandinavian Studies. This book analyses the historical, legal, and literary sources of the region during the medieval period to explore different aspects of Scandinavian culture relating to food and drink: production, consumption (including feasts), trading (distribution), and the associated social rituals. Using new and innovative approaches, this collection of studies offers broad insights into a great variety of social practices and includes fresh information on not only social history but also traditional topics such as trade, commercial exchange, legal regulation, and political organisation. The book unites contributors from a variety of backgrounds, further enriching the content of a collection that promises to make a significant contribution to the state of current research.
This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators’, producers’, owners’ and beholders’ motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period’s print cultures. However, the rise of printmaking challenged some established rules in the arts ...
For the first time, this volume presents a geographically and phenomenologically broad range of case studies on late medieval changes of rule, from dynastic succession to conquest by force. The focus will be on the border regions of Latin Europe, political and cultural contact zones with distinctive dynamics. By presenting examples from the Canaries to Moscow and from Sicily to Norway, late medieval Europe will be covered in all its diversity.
Versammlungen waren im frühmittelalterlichen Lateineuropa wichtige Institutionen: Hier handelten die Entscheidungsträger ihre Hierarchie aus, hier machten sie Politik, hier tauschten sie Informationen aus. Der Band untersucht diese frühmittelaltelriche "assembly politics". Mit vier Zugriffen werden die Funktionen und Wirkungen dieser Versammlungen präziser herausgearbeitet: 1) Der Band nimmt das Ineinander von Religion und Politik im frühmittelalterlichen Westen ernst und untersucht deshalb vergleichend "geistliche" und "weltliche" Versammlungen. 2) Er berücksichtigt das Spannungsgefüge zwischen Höfen und regionalen Gesellschaften, das in Lateineuropa vielerorts die politische Praxis mitbestimmte, und analysiert deshalb nicht nur Reichsversammlungen, sondern auch regionale und lokale Versammlungen. 3) Er fragt konsequent auch nach der Kommunikation und deren Formen im Vorfeld und Umfeld der Versammlungen. 4) Er blickt in regionalen Vergleichen und diachronen Längsschnitten über den fränkisch-karolingischen Tellerrand hinaus, indem er zeitlich bis in das 3. Jahrhundert zurückschaut und räumlich vergleichend auch Spanien, Britannien und Italien miteinbezieht.