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Saxo was probably a canon of Lund Cathedral, at that period a Danish cathedral, and lived at the end of the twelfth century. He was in the service of Archbishop Absalon, who encouraged him to write a history of his own country from the beginnings up to his own time, with a strong Christian bias. Starting with the myths and heroic tales of primitive Scandinavia, he devoted the first nine of his sixteen books to legendary material before dealing with the first kings of the Viking age and finished in 1285, after relating the earlier exploits of King Cnut Valdemarsson. The activities of the Danish kings were intimately bound up with the monarchies of Norway and Sweden; Cnut the Great, one of Sax...
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Ever since the publication of Saxo Grammaticus’ Gesta Danorum at the beginning of the thirteenth century, scholars and laymen have grappled with the complex and marvellous chronicle. As much specialized scholarship has been published in Danish, this companion breaks new ground by giving a comprehensive and up-to-date tour of the work for a global audience. Attention is given to the unity of Saxo’s massive chronicle, whether he is dealing with a legendary pagan past or events from his own time. Saxo’s world and views are explored in ways that shed new light on all of northern Europe. Contributors are Bjørn Bandlien, Karsten Friis-Jensen, Michael H. Gelting, Thomas K. Heebøll-Holm, Lars Hermanson, Lars Kjær, Torben Kjersgaard Nielsen, Annette Lassen, Anders Leegaard Knudsen, Lars Boje Mortensen, Mia Münster-Swendsen, Erik Niblaeus, Roland Scheel, Karen Skovgaard-Petersen, Kurt Villads Jensen, and Helle Vogt.
Classical Rhetoric in the Middle Ages: The Medieval Rhetors and Their Art 400-1300, with Manuscript Survey to 1500 CE is a completely updated version of John Ward’s much-used doctoral thesis of 1972, and is the definitive treatment of this fundamental aspect of medieval and rhetorical culture. It is commonly believed that medieval writers were interested only in Christian truth, not in Graeco-Roman methods of ‘persuasion’ to whatever viewpoint the speaker / writer wanted. Dr Ward, however, investigates the content of well over one thousand medieval manuscripts and shows that medieval writers were fully conscious of and much dependent upon Graeco-Roman rhetorical methods of persuasion. The volume then demonstrates why and to what purpose this use of classical rhetoric took place.
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The present volume presents scholarly study into Old French as it is practiced today, in all of its forms, within a variety of theoretical frameworks, from Optimality Theory to Minimalism to Discourse Analysis. Many of the chapters are corpus-based, reflecting a new trend in the field, as more electronic corpora become available. The chapters contribute to our understanding of both the synchronic state and diachronic evolution, not only of Old French, but of language in general. Its breadth is extensive in that contributors pursue research on a wide variety of topics in Old French focusing on the various subsystems of language. All examples are carefully glossed and the relevant characteristics of Old French are clearly explained, which makes it uniquely accessible to non-specialists and linguists at all levels of training.
Grammar is seen as a complex sign system, and, as a consequence, grammatical change always comprises semantic change. The book introduces the concept of connecting grammaticalisation to describe the formation, restructuring and dismantling of such complex paradigms. It offers a broad general discussion of theoretical issues and three case studies
The last fifty years have seen a significant change in the focus of saga studies, from a preoccupation with origins and development to a renewed interest in other topics, such as the nature of the sagas and their value as sources to medieval ideologies and mentalities. The Routledge Research Companion to the Medieval Icelandic Sagas presents a detailed interdisciplinary examination of saga scholarship over the last fifty years, sometimes juxtaposing it with earlier views and examining the sagas both as works of art and as source materials. This volume will be of interest to Old Norse and medieval Scandinavian scholars and accessible to medievalists in general.