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Volume 21, Tome I: Cumulative Index
Cover -- Half Title -- Title -- Copyright -- Contents -- Preface -- Acknowledgements -- Overview of Kierkegaard Research: Sources, Reception and Resources -- Index of Names, A-K
Women of the Danish Golden Age
"This broad, interdisciplinary work explores the little recognized contributions of women to the cultural life of the Danish Golden Age. Featuring chapters on the novelist Thomasine Gyllembourg, the actress Johanne Luise Heiberg and the feminist writer Mathilde Fibiger, this text spans three generations of women from the early to the late Golden Age and indeed beyond. Further it treats the notions about what was considered the proper role of women in Danish society at the time, including the views of male authors such as Søren Kierkegaard and Hans Lassen Martensen. This work provides a fascinating panorama of personalities, literary texts, theater performances, art works and social-political debates, which collectively give the reader a rich appreciation of the importance of women for the age."--Publisher's website.
Volume 21, Tome II: Cumulative Index
Cover -- Half Title -- Title -- Copyright -- Contents -- Overview of Kierkegaard Research: Sources, Reception and Resources -- Index of Names, L-Z
Volume 21, Tome III: Cumulative Index
This last volume of Kierkegaard Research: Sources, Reception and Resources is a cumulative index to all the volumes of the series. The series was originally designed in a systematic fashion in order to make it as easily usable and accessible as possible. The individual parts of the series and the individual volumes have been organized to make it generally fairly simple to locate the main articles relevant for one’s research interests. However, the placement of some individual articles might not always be completely self-evident. Moreover, the sheer mass of material and information provided by the series makes a cumulative index a necessary accompanying resource. Further, given the scope of...
Volume 2, Tome I: Kierkegaard and the Greek World - Socrates and Plato
The articles in this volume employ source-work research to trace Kierkegaard's understanding and use of authors from the Greek tradition. A series of figures of varying importance in Kierkegaard's authorship are treated, ranging from early Greek poets to late Classical philosophical schools. In general it can be said that the Greeks collectively constitute one of the single most important body of sources for Kierkegaard's thought. He studied Greek from an early age and was profoundly inspired by what might be called the Greek spirit. Although he is generally considered a Christian thinker, he was nonetheless consistently drawn back to the Greeks for ideas and impulses on any number of topics. He frequently contrasts ancient Greek philosophy, with its emphasis on the lived experience of the individual in daily life, with the abstract German philosophy that was in vogue during his own time. It has been argued that he modeled his work on that of the ancient Greek thinkers specifically in order to contrast his own activity with that of his contemporaries.
Volume 20: The Auction Catalogue of Kierkegaard's Library
This volume is a revised and improved edition of the auction catalogue of Kierkegaard’s private library. The catalogue has long served as one of the most valuable tools in Kierkegaard studies and has been actively used by commentators, translators and researchers for tracing the various sources of Kierkegaard’s thought. With the catalogue in hand, one can determine with some degree of probability what books he read and what editions he used for his information about specific authors. The present volume represents the fourth printing of the catalogue, and it differs from its predecessors in many respects. The previous editions contained incomplete, erroneous and inconsistent bibliographical information about the works in the catalogue. The primary goal of the present edition was to obtain all of the books and check their title pages for the precise bibliographical information. The result is an accurate and reliable edition of the catalogue that conforms to the needs of Kierkegaard studies in the digital age.
Volume 16, Tome I: Kierkegaard's Literary Figures and Motifs
While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome I covering figures and motifs from Agamemnon to Guadalquivir.
Kierkegaard and the Greek World: Socrates and Plato
The articles in this volume employ source-work research to trace Kierkegaard's understanding and use of authors from the Greek tradition. A series of figures of varying importance in Kierkegaard's authorship are treated, ranging from early Greek poets to late Classical philosophical schools. In general it can be said that the Greeks collectively constitute one of the single most important body of sources for Kierkegaard's thought. He studied Greek from an early age and was profoundly inspired by what might be called the Greek spirit. Although he is generally considered a Christian thinker, he was nonetheless consistently drawn back to the Greeks for ideas and impulses on any number of topics. He frequently contrasts ancient Greek philosophy, with its emphasis on the lived experience of the individual in daily life, with the abstract German philosophy that was in vogue during his own time. It has been argued that he modeled his work on that of the ancient Greek thinkers specifically in order to contrast his own activity with that of his contemporaries.
Volume 17: Kierkegaard's Pseudonyms
One of the elements that many readers admire in Kierkegaard’s skill as a writer is his ability to create different voices and perspectives in his works. Instead of unilaterally presenting clear-cut doctrines and theses, he confronts the reader with a range of personalities and figures who all espouse different views. One important aspect of this play of perspectives is Kierkegaard’s controversial use of pseudonyms. The present volume is dedicated to exploring the different pseudonyms and authorial voices in Kierkegaard’s writing. The articles featured here try to explore each pseudonymous author as a literary figure and to explain what kind of a person is at issue in each of the pseudonymous works. The hope is that by taking seriously each of these figures as individuals, we will be able to gain new insights into the texts which they are ostensibly responsible for.
Volume 20: The Auction Catalogue of Kierkegaard's Library
This volume is a revised and improved edition of the auction catalogue of Kierkegaard’s private library. The catalogue has long served as one of the most valuable tools in Kierkegaard studies and has been actively used by commentators, translators and researchers for tracing the various sources of Kierkegaard’s thought. With the catalogue in hand, one can determine with some degree of probability what books he read and what editions he used for his information about specific authors. The present volume represents the fourth printing of the catalogue, and it differs from its predecessors in many respects. The previous editions contained incomplete, erroneous and inconsistent bibliographical information about the works in the catalogue. The primary goal of the present edition was to obtain all of the books and check their title pages for the precise bibliographical information. The result is an accurate and reliable edition of the catalogue that conforms to the needs of Kierkegaard studies in the digital age.
