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A critical study of the work of Polish theatre director Tadeusz Kantor, which includes an analysis of the corpus of Kantor's work plus a collection of the director's essays. These essays comment on work then in progress, describing how Kantor challenged traditional theatrical forms.
Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.
Exposure -- Indexicality: a trauma of signification -- Analogue: on Zoe Leonard and Tacita Dean -- Rubbing, casting, making strange -- Index, diagram, graphic trace -- The "unrepresentable"--Invisible traces: postscript on Thomas Demand
Introduction : from mirror to anamorphosis -- Uncanny : the blind field in Edward Hopper -- Paranoia : Dalí meets Lacan -- Encounter : Breton meets Lacan -- Death drive: Robert Smithson's Spiral jetty -- Mourning : the Vietnam Veterans Memorial -- The real : what is a photograph? -- Conclusion : after Camera lucida.
A brilliantly illustrated survey of modernist photography in Central Europe, published in association with the National Gallery of Art. In the 1920s and 1930s, photography became an immense phenomenon across Germany, Czechoslovakia, Hungary, Austria, and Poland. Through magazines and books, in advertisements and at exhibitions, from amateur clubs to avant-garde schools, photographs emerged as a key vehicle of modern consciousness. This book presents the work of approximately one hundred individuals whose creations exemplify the potential of photography in Central Europe between the two World Wars. Foto brings together for the first time works by recognized masters such as the Russian El Liss...
An original analysis of the parallels between the arrested moment in photography and in the traumatized psyche.
Ruins have fascinated and intrigued viewers for centuries. These include not only famous sites like Angkor Wat and the Temple of Olympian Zeus, but the remnants of natural disasters like the Lisbon earthquake. This book--the catalog for an exhibition held at the Getty Center--explores the allure of ruins and examines the roles that they play in modern cultural life. An incisive introduction laying out the general issues is followed by an essay discussing the nature of the fragment, a discussion of the Research Institute's vast holdings of item relating to ruins, a unique section uses juxtaposed color images, and quotations drawn from literary works to point out the longevity and prominence of the ruin as a metaphor.
The history of post Second World War reconstruction has recently become an important field of research around the world; Alternative Visions of Post-War Reconstruction is a provocative work that questions the orthodoxies of twentieth century design history. This book provides a key critical statement on mid-twentieth century urban design and city planning, focused principally upon the period between the start of the Second World War to the mid-sixties. The various figures and currents covered here represent a largely overlooked field within the history of 20th century urbanism. In this period while certain modernist practices assumed an institutional role for post-war reconstruction and flourished into the mainstream, such practices also faced opposition and criticism leading to the production of alternative visions and strategies. Spanning from a historically-informed modernism to the increasing presence of urban conservation the contributors examine these alternative approaches to the city and its architecture.