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The daughter of screenwriter Ring Lardner, Jr.--one of the "Hollywood Ten"--recalls what it was like to grow up in the shadow of McCarthyism.
Ring Lardner's influence on American letters is arguably greater than that of any other American writer in the early part of the twentieth century. Lauded by critics and the public for his groundbreaking short stories, Lardner was also the country's best-known journalist in the 1920s and early 1930s, when his voice was all but inescapable in American newspapers and magazines. Lardner's trenchant, observant, sly, and cynical writing style, along with a deep understanding of human foibles, made his articles wonderfully readable and his words resonate to this day. Ron Rapoport has gathered the best of Lardner's journalism from his earliest days at the South Bend Times through his years at the C...
The Globe and Mail, Canada’s National Newspaper, presents Our Nation’s Finest, a collection of the Globe’s 24 nominees for 2011 National Newspaper Awards. The Globe and Mail hopes to share its record 24 nominations with you.
The Catcher in the Rye," written by J.D. Salinger and published in 1951, is a classic American novel that explores the themes of adolescence, alienation, and identity through the eyes of its protagonist, Holden Caulfield. The novel is set in the 1950s and follows Holden, a 16-year-old who has just been expelled from his prep school, Pencey Prep. Disillusioned with the world around him, Holden decides to leave Pencey early and spend a few days alone in New York City before returning home. Over the course of these days, Holden interacts with various people, including old friends, a former teacher, and strangers, all the while grappling with his feelings of loneliness and dissatisfaction. ...
David Tereshchuk leapt from an unpromising childhood in a small town on the English-Scottish borders to a precocious high-flying career as a TV journalist, first in London, then New York. During his working life, he has managed to extract revealing answers from tyrants and the oppressed, but never managed to coax his mother into admitting who his father was, even after her revelation to him, when he was in his 50s, that she had been raped, aged 15, by a priest. Alongside his career, the search for his mother’s abuser has haunted him, adding further layers of stress to a life already marked by alcoholism and insecurity. This is his astonishing story, and one that deserves to sit alongside those of Tom Brokaw, Peter Jennings and David Brinkley. A compelling addition to EnvelopeBooks' "Media" and "Memoir" titles.
"This treasury of 100 tales offers a volume of remarkable value to students and readers of short fiction. Selections by masters of the form from all over world include Edgar Allan Poe, Jack London, Nikolai Gogol, Guy de Maupassant, Charles Dickens, Anton Chekhov, Joseph Conrad, Mark Twain, Rudyard Kipling, Saki, and Henry James"--
"The Inquisition in Hollywood examines the suppression of radical political activity in the film industry from the days of the Great Depression through the tumultuous House Un-American Activities Committee era to the waning days of the infamous blacklist." "Although this thirty-year period of American history is marked by widespread targeting of leftists in all areas of life, those in the film industry - predominately screenwriters - were considered to be in positions of great potential indoctrinating power, and found themselves under intense scrutiny as the cold war hysteria mounted. Ceplair and Englund trace the history of political struggle in Hollywood back to the formation of the Screen Writers Guild in 1933. Many of the blacklisted filmmakers were members of the Communist Party and all of the graylisted filmmakers had expressed their sympathy with progressive (mainly anti-fascist) causes."--BOOK JACKET.
Jeanne Darst grew up in a family where their life was driven by a father who was a failed writer, and an alcoholic mother. As an adult she has pursued writing as well and examines the question of whether it is possibe to be a successful writer, sober, creative and ambititious while also having happy family life.
A manifesto reclaiming the wives and mistresses of literary modernism that inspired a generation of writers and scholars, reissued after more than a decade. I am beginning to realize that taking the self out of our essays is a form of repression. Taking the self out feels like obeying a gag order—pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature. On the last day of December 2009, Kate Zambreno, then an unpublished writer, began a blog called "Frances Farmer Is My Sister," arising from her obsession with literary modernism and her recent transplantation to Akron, Ohio, where her partner held a univer...