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"An exceptionally relevant book for this age of activism." Bob Geldof With a foreword by Kofi Annan, former Secretary-General of the UN (1997-2006). How to Make a Difference is a practical roadmap to modern day activism created by the powerful and imaginative minds behind the world's biggest campaigns including Colin Kaepernick, Emma Watson, Sir Bob Geldof, Fatima Bhutto, Black Lives Matter, Doutzen Kroes, Yeonmi Park, Terry Crews, Cher, Matt Damon, Paul Polman and Gina Miller; collectively they combine the latest models of thinking, their real life experiences, radical techniques and effective advice in order to help incentivize everyone and anyone who has ever wondered, how can I help? Fro...
Transgressive both in its narrative and in its filmmaking, Trouble Every Day (2001) envisions the monster inside, unspeakable urges and an overwhelming need for complete incorporation. A plant discovered in the South American jungle produces in its test subjects a terrible, unnatural and uncontrollable hunger. Vicious, all-consuming desire begets excessive violence and a turn to cannibalism, which situates Trouble Every Day into a tradition of challenging cinema, a film maudit that pushes the boundaries of what can be shown on screen. But while it is certainly an unflinching film, it is deserving of reassessment as part of Clare Denis’ filmography as well as a broader cinematic lineage. Fo...
Transgressive both in its narrative and in its filmmaking, Trouble Every Day (2001) envisions the monster inside, unspeakable urges and an overwhelming need for complete incorporation. A plant discovered in the South American jungle produces in its test subjects a terrible, unnatural and uncontrollable hunger. Vicious, all-consuming desire begets excessive violence and a turn to cannibalism, which situates Trouble Every Day into a tradition of challenging cinema, a film maudit that pushes the boundaries of what can be shown on screen. But while it is certainly an unflinching film, it is deserving of reassessment as part of Clare Denis' filmography as well as a broader cinematic lineage. Focu...
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
Originally written in the 1440s by Richard Holland, a Scottish cleric who was chaplain to Archibald Douglas, Earl of Moray, The Book of the Howlat is one of the great poetic gems of fifteenth-century Scots. Believing himself to be ugly, a young owl (howlat) decides to speak to the most handsome bird of all, the peacock, and ask his help so that Nature can change him. But the peacock isn't sure this should be done - after all, Nature doesn't usually make mistakes - and summons a council of birds to make a decision. A huge feast takes place, and Nature herself appears and orders all the birds present to give the owl one of their feathers. But the result is not what they expect. The howlat's initial joy turns to unbearable arrogance at his new-found beauty, and drastic action must be taken ...
When the married Isabella Robinson was introduced to the dashing Edward Lane at a party in 1850, she was utterly enchanted. He was 'fascinating', she told her diary, before chastising herself for being so susceptible to a man's charms. But a wish had taken hold of her, and she was to find it hard to shake...In one of the most notorious divorce cases of the nineteenth century, Isabella Robinson's scandalous secrets were exposed to the world. Kate Summerscale brings vividly to life a frustrated Victorian wife's longing for passion and learning, companionship and love, in a society clinging to rigid ideas about marriage and female sexuality.
THE SUNDAY TIMES NO. 1 BESTSELLER 'Explosive' The Sun 'Accounts from insiders who have never spoken before' The Times 'Bombshell' The Mirror The British Royal Family believed that the dizzy success of the Sussex wedding, watched and celebrated around the world, was the beginning of a new era for the Windsors. Yet, within one tumultuous year, the dream became a nightmare. In the aftermath of the infamous Megxit split and the Oprah Winfrey interview, the Royal Family's fate seems persistently threatened. As Meghan and Harry's much-trailed Netflix documentary finally airs, the public remains puzzled. Meghan's success has alternatively won praise, bewildered and outraged. Confused by the Sussexe...
Richard Wagner has arguably the greatest and most long-term influence on wider European culture of all nineteenth-century composers. And yet, among the copious English-language literature examining Wagner's works, influence, and character, research into the composer’s impact and role in Russia and Eastern European countries, and perceptions of him from within those countries, is noticeably sparse. Wagner in Russia, Poland and the Czech Lands aims to redress imbalance and stimulate further research in this rich area. The eight essays are divided in three parts - one each on Russia, the Czech lands and Poland - and cover a wide historical span, from the composer’s first contacts with and appearances in these regions, through to his later reception in the Communist era. The contributing authors examine his influences in a wide range of areas such as music, literary and epistolary heritage, politics, and the cultural histories of Russia, the Czech lands, and Poland, in an attempt to establish Wagner’s place in a part of Europe not commonly addressed in studies of the composer.
Bloody Women: Women Directors of Horror is the first book-length exploration of female creators at the cutting edge of contemporary horror, turning out some of its most inspired and twisted offerings.