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WORDS AND WOMEN is the landmark work that reveals the sexual biases present in our everyday speech and writing-and shows how they affect women’s and men’s perceptions of the world and one another.
When U.S. Marshall Kate Swift enters a trauma-recovery workshop, she never expects to be caught up in a fiery romance and a violent crime wave. As Kate and Tom Scott grow close, their bond is tested by series of murders. After fire shuts down access to Big Sur, and the workshop, Kate takes control of the police investigation. To save Tom’s life, Kate must find the killer. Perfect for mystery and romance fans, Death is Potential is a nuanced combination of “The Guest List” by Lucy Foley and “Nine Perfect Strangers” by Liane Moriarty—with a touch of the humor of “Squeeze Me” by Carl Hiaasen. . “My favorite male mystery-romance writer,” says the Marquise de Sévigné. “Addictive,” Marguerite Duras. “Whew!” Agatha Christie. “Touching,” Anais Nin.. “J’ai perdu ma voix,” Colette
English language guide to the use of non-sexist writing and speaking in order to avoid sex discrimination therein - notes discrepancies between social change and language habits, and covers linguistics problems, e.g. "Man" as a false generic, use of "he" and " she", names and titles, etc. Illustrated by quotations from British newpapers. Bibliography pp. 110 to 114.
With a new afterword. 'The best book on teachers and children and writing that I've ever read. No-one has said better so much of what so badly needs saying' - Philip Pullman Kate Clanchy wants to change the world and thinks school is an excellent place to do it. She invites you to meet some of the kids she has taught in her thirty-year career. Join her as she explains everything about sex to a classroom of thirteen-year-olds. As she works in the school 'Inclusion Unit', trying to improve the fortunes of kids excluded from regular lessons because of their terrifying power to end learning in an instant. Or as she nurtures her multicultural poetry group, full of migrants and refugees, watches them find their voice and produce work of heartbreaking brilliance. While Clanchy doesn't deny stinging humiliations or hide painful accidents, she celebrates this most creative, passionate and practically useful of jobs. Teaching today is all too often demeaned, diminished and drastically under-resourced. Some Kids I Taught and What They Taught Me will show you why it shouldn't be. Winner of the Orwell Prize for Political Writing 2020
The last time Matthew Swift was seen alive, an unknown assailant had gouged a hole so deep in his chest that his death was irrefutable--despite his body never being found. Two years after his untimely death, this sorcerer finds himself breathing once again.
Joyce Carol Oates has performed a full review of her acclaimed 1992 anthology, The Oxford Book of American Short Stories, and in this second edition embraces those authors who have come to define turn-of-the-century American literature. Jhumpa Lahiri, Junot Diaz, Richard Ford, and David Foster Wallace are just a few of the authors whose stories are now represented. Each story is accompanied by a brief introduction, and there is also a fascinating introductory essay by Joyce Carol Oates that explains why these stories form the foundation of the American literary canon, and the trends and innovations that have taken place in the last twenty years.
A school shooting in snowbound Vermont; an American journalist beheaded in war-torn Syria; a passenger jet exploding in the Thai jungle—everything connects to Kate Swift, CIA assassin turned whistleblower, on the run from a sinister intelligence unit. With her six-year-old daughter, Suzie, she flees across the Canadian border to begin a perilous journey to Berlin and then Thailand in search of the only man who can keep them alive: Harry Hook, a disgraced ex–CIA case officer living rough in the wilderness, battling the bottle and ghosts from his past. Can Hook conjure an inspired but desperate plan that will save Kate and Suzie and bring him the redemption he yearns for?
This is an anthology for people who love story-telling. Our one hundred classic masterpieces were selected purely for their capacity to delight, instruct and charm. In this collection, readers will encounter some of the finest writing in world literature. We have chosen to arrange the stories thematically, dividing the anthology into ten parts as follows: 1) Characters 2) Animals 3) Epiphanies 4) Mystery and Adventure 5) Horror and Ghosts 6) Strange, Surreal and Fantastic 7) Humour, Satire and Tall Tales 8) Love 9) Summer Tales 10) Winter Tales Please view the preview of this book for a full listing of contents. We hope this arrangement will encourage readers to move between the different pa...
Distinguished Catholic and Jewish scholars, theologians, and linguists offer important insights into the functions of language as well as penetrating analyses of the feminists' influence on Scripture and worship.
Winesburg, Ohio is a 1919 short story cycle by the American author Sherwood Anderson. Sherwood Anderson (1876–1941) was an American novelist and short story writer, known for subjective and self-revealing works. Self-educated, he rose to become a successful copywriter and business owner in Cleveland and Elyria, Ohio. In 1912, Anderson had a nervous breakdown that led him to abandon his business and family to become a writer. The work is structured around the life of protagonist George Willard, from the time he was a child to his growing independence and ultimate abandonment of Winesburg as a young man. It is set in the fictional town of Winesburg, Ohio (not to be confused with the actual Winesburg), which is based loosely on the author's childhood memories of Clyde, Ohio. Mostly written from late 1915 to early 1916, with a few stories completed closer to publication, they were "...conceived as complementary parts of a whole, centered in the background of a single community." The book consists of twenty-two stories, with the first story, "The Book of the Grotesque", serving as an introduction.