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This is the third in a series of genealogical studies of German families that emigrated to the Kingdom of Hungary in the early 18th century and settled in Somogy County. Kötcse is the oldest of the three major German Lutheran parishes that evolved and numerous families from Kötcse were instrumental in the establishment of the other two. The family histories of those who settled in the parish of Somogydöröcske are included in the volume: Dörnberg: In the Shadow of the Josefsberg; and those from the parish of Ecsény in From Toleration to Expulsion that both preceded this publication. In addition to the genealogical information the author provides the historical context and other information vital to an understanding of the lifestyle, traditions and ultimate destiny of their sojourn in Hungary and beyond.
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Vertrauen entrinnt mit jedem Riss im Fundament „Blut. Überall Blut. Kommen Sie schnell!“ Der Anruf erreicht die Mainzer Polizeiwache am frühen Morgen. In einem Haus in Mainz-Hartenberg treffen die Ermittler auf einen verwirrten jungen Mann und seine tote Freundin. Die Kellertür wurde gewaltsam geöffnet. Kommissar Chris Muth und sein Partner Fred Feldig stehen vor der Frage: War es ein tragischer Unfall oder Mord? Die Ermittlungen rund um den Einbruch werfen weitere Fragen auf. Und welche Rolle spielt die Schwester des Hauptverdächtigen, die mehr über Feldigs Vergangenheit weiß, als es ihm und dem Fall guttut? Der zweite Mainz-Krimi von Monja Luz
Hanakam & Schuller are tricksters. As artists and researchers, they remodel the rules of fine art, creating idiosyncratic orders and new world designs incorporated in videos and objects. The artefacts of the two artists from Vienna are "Gestalt-changers"; they change their outer shape and re-appear in a number of different contexts. The trickster art book illustrates the oeuvre and provides an insight into its making using multi-page photo spreads from video stills, and production photographs. The Arkadikon essay captures readers and leads them to contemporary hypothetical landscapes, deconstructing them as modern surrogates of an increasingly virtual world. The artists discuss ideal, pop, aura and abduction with Angela Stief, Anselm Franke, Uta Grosenick, Annette Hünnekens, Wolfgang Ullrich, Lois Weinberger, Stephanie Weber und Oliver Zybok.