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Katharine Smyth was a student at Oxford when she first read Virginia Woolf's modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death - a calamity that claimed her favourite person - she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief. Smyth's story moves between the New England of her childhood and Woolf's Cornish shores and Bloomsbury squares, exploring universal questions about family, loss and homecoming. Through her inventive, highly personal reading of To the Lighthouse and her artful adaptation of its groundbreaking structure, Smyth guides us towards a new vision of Woolf's most demanding and rewarding novel - and crafts an elegant reminder of literature's ability to clarify and console. Braiding memoir, literary criticism and biography, All the Lives We Ever Lived is a wholly original debut: a love letter from a daughter to her father, and from a reader to her most cherished author.
This book on the history of Hollywood's high-flying career women during the studio era covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist.
Explores life-writing forms - almanacs, financial accounts, commonplace books and parish registers - which emerged during the sixteenth and seventeenth centuries.
"In July 1905, in Paris, a young woman, a bride, becomes Marie Schad. In April 1984, in London, Marie Schad is declared to be no more--indeed, to never have been, and returns to France. Paris Bride pursues this no-woman in a wild attempt to glimpse her face in the modernist crowd. With increasing desperation the pages of Stephane Mallarmé, Oscar Wilde, Franz Kafka, Virginia Woolf, Katherine Mansfield, Louis Aragon, André and Walter Benjamin are all ransacked for traces of Marie. What is pieced precariously together is an experimental life--a properly modernist life, a life that, by its very obscurity, lives the obscure life of modernism itself.
Join Rachel and Kirsty as they meet a brand-new fairy! Jacinda the Peace Fairy helps to maintain peace and harmony in Fairyland and the real world. But when her special magnifying glass goes missing, people lose the ability to see things from each other's point of view, and everyone starts to argue. Can Rachel, Kirsty and Jacinda find the missing magical object and restore peace to the world? 'These stories are magic; they turn children into readers!' ReadingZone.com If you like Rainbow Magic, check out Daisy Meadows' other series: Magic Animal Friends and Unicorn Magic!
Equal parts personal memoir and literary history, Jazmina Barrera's "collection" of lighthouses explores the allure of loneliness and asks how we use it to create meaning
Complete your collection with these limited Ultimate Football Heroes International editions – now with a bonus World Cup chapter. Neymar da Silva Santos Júnior is the boy with the big smile who carries the hopes of Brazil on his shoulders. Neymar now stands alongside Pelé and Ronaldinho as a Brazilian footballing hero. Bidding a fond farewell to his home in São Paolo, Neymar's dreams finally came true when he joined Barcelona. Now, alongside Messi and Suarez, he is part of the most feared attacking trident in the game. This is the heart-warming true story of Neymar's road to glory.
Presents an anthology of the best literary essays published in 2014, selected from American periodicals.
Twenty years ago, in a series of mysterious, incandescent writings, David Seabrook told of the places he knew best: the declining resort towns of the Kent coast. The pieces were no advert for the local tourist board. Here, the ghosts of murderers and mad artists crawl the streets. Septuagenarian rent boys recall the good old days and Carry On stars go to seed. Clandestine fascist networks emerge. And all the time, there is Seabrook himself - desperate perhaps, and in danger. Dark, strange and immediate, this is a classic work of sui generis British literature. There are devils here, and the reader will remember them.
This collection reveals the valuable work that women achieved in publishing, printing, writing and reading early modern English books, from those who worked in the book trade to those who composed, selected, collected and annotated books. Women gathered rags for paper production, invested in books and oversaw the presses that printed them. Their writing and reading had an impact on their contemporaries and the developing literary canon. A focus on women's work enables these essays to recognize the various forms of labour -- textual and social as well as material and commercial -- that women of different social classes engaged in. Those considered include the very poor, the middling sort who were active in the book trade, and the elite women authors and readers who participated in literary communities. Taken together, these essays convey the impressive work that women accomplished and their frequent collaborations with others in the making, marking, and marketing of early modern English books.