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The Daughter's Almanac
Poetry. "With unflinching stanzas threaded through with grief's relentless lyric, THE DAUGHTER'S ALMANAC is a masterwork, a deftly crafted illustration of the myriad ways beauty collides with pain. Succinct and utterly memorable, these poems take hold of the heart and tug it toward an insistent light. We are washed alive in that light. We are changed by it."--Patricia Smith, 2014 Backwaters Prize Judge
The Daughter's Almanac
"With unflinching stanzas threaded through with grief's relentless lyric, The Daughter's Almanac is a masterwork, a deftly crafted illustration of the myriad ways beauty collides with pain. Succinct and utterly memorable, these poems take hold of the heart and tug it toward an insistent light. We are washed alive in that light. We are changed by it."--Patricia Smith, 2014 Backwaters Prize Judge
Chapman's Pack
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Marquees of Buffalo
This collection of poetry is an insightful and imaginative exploration into the impact of movie-watching on our private and social lives. For Dennis Trudell movies are not only fantasy companions, they also offer some grasp on immortality; the image on the film never ages, recalling to us a similarly young and vigorous sense of ourselves. --Parallel Press.
The World is Charged
The World Is Charged: Poetic Engagements with Gerard Manley Hopkins is the first book to demonstrate the centrality of Gerard Manley Hopkins as an influence among contemporary poets.
Long Rules
This book-length poem in six sections takes readers to five Trappist monasteries in the southeast United States to consider the intersections of solitude, family, music, and landscape.
Making Poems
Contemporary poets offer behind-the-scenes perspectives on the poetic process.
The Promised Land
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Foxlogic, Fireweed
Winner of the Backwaters Prize in Poetry, Jennifer K. Sweeney’s Foxlogic, Fireweed follows a lyrical sequence of five physical and emotional terrains—floodplain, coast, desert, suburbia, and mesa—braiding themes of nature, domesticity, isolation, and human relationships. These are poems of the earth’s wild heart, its searing mysteries, its hollows, and its species, poems of the complex domestic space, of before and after motherhood, gun terror, the election, of dislocation and home, and of how we circle toward and away from our centers. Sweeney is not afraid to take up the domestic and inner lives of women, a nuanced relationship with the natural world that feels female or even maternal, or a duty to keeping alive poetry’s big questions of transcendence, revelation, awe, and deep presence in the ordinary.
Encore
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