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War and the Making of Medieval Monastic Culture
"An extremely interesting and important book... makes an important contribution to the history of medieval monastic spirituality in a formative period, whilst also fitting into wider debates on the origins, development and impact of ideas on crusading and holy war." Dr William Purkis, University of Birmingham Monastic culture has generally been seen as set apart from the medieval battlefield, as "those who prayed" were set apart from "those who fought". However, in this first study of the place of war within medieval monastic culture, the author shows the limitations of this division. Through a wide reading of Latin sermons, letters, and hagiography, she identifies a monastic language of war...
Medieval England, 1000-1500
This anthology brings together medieval documents and narratives illustrative of the political, social, economic, and cultural history of England during the Middle Ages. Authors and subjects included are both secular and clerical, male and female, mighty and low. Along with classic texts, such as the Domesday Book and Magna Carta, the collection also contains materials on less frequently addressed topics, such as the persecution of Jews, and the writings of a number of women, such as Margery of Kempe and Queen Isabella of Angoul?me.
Negotiating Community and Difference in Medieval Europe
This collection builds on the foundational work of Penelope D. Johnson, John Boswell's most influential student outside queer studies, on integration and segregation in medieval Christianity. It documents the multiple strategies by which medieval people constructed identities and, in the process, wove the boundaries of inclusion and exclusion among various individuals and groups. The collection adopts an interdisciplinary approach, encompassing historical, art historical, and literary perpsectives to explore the definition of personal and communal spaces within medieval texts, the complex negotiation of the relationship between devotee and saint in both the early and the later Middle Ages, t...
The Uses of the Bible in Crusader Sources
The Uses of the Bible in Crusader Sources sets out to understand the ideology and spirituality of crusading by exploring the biblical imagery and exegetical interpretations which formed its philosophical basis. Medieval authors frequently drew upon scripture when seeking to justify, praise, or censure the deeds of crusading warriors on many frontiers. After all, as the fundamental written manifestation of God’s will for mankind, the Bible was the ultimate authority for contemporary writers when advancing their ideas and framing their world view. This volume explores a broad spectrum of biblically-derived themes surrounding crusading and, by doing so, seeks to better comprehend a thought world in which lethal violence could be deemed justifiable according to Christian theology. Contributors are: Jessalynn Bird, Adam M. Bishop, John D. Cotts, Sini Kangas, Thomas Lecaque, T. J. H. McCarthy, Nicholas Morton, Torben Kjersgaard Nielsen, Luigi Russo, Uri Shachar, Iris Shagrir, Kristin Skottki, Katherine Allen Smith, Thomas W. Smith, Carol Sweetenham, Miriam Rita Tessera, Jan Vandeburie, Julian J. T. Yolles, and Lydia Marie Walker.
Medieval England, 500-1500
The new edition of Medieval England, 500-1500, edited by Emilie Amt and Katherine Allen Smith, spans several centuries in 102 documents that present the social and political history of England. The documents include constitutional highlights and records such as the Magna Carta and Froissart's Chronicles, as well as narrative sources describing the lived experiences of a range of historical actors. These narratives fit into thematic clusters covering topics such as the Anglo-Saxon monarchy, lay piety, later medieval commercial life, queenship, and Jewish communities. Thirty-nine new sources discuss significant events like the conquest of Wales, the Gregorian mission, and the Viking invasions....
Armsbearing and the Clergy in the History and Canon Law of Western Christianity
The history of the vexed relationship between clergy and warfare is traced through a careful examination of canon law.
Negotiating Clerical Identities
Clerics in the Middle Ages were subjected to differing ideals of masculinity, both from within the Church and from lay society. The historians in this volume interrogate the meaning of masculine identity for the medieval clergy, by considering a wide range of sources, time periods and geographical contexts.
The Accidental Possibilities of the City
Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg’s profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory. Smith argues that Oldenburg adapted lessons of context, gleaned from New York’s changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg’s innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States.
Crusading Spirituality in the Holy Land and Iberia, C.1095-c.1187
Argues for a new context for the origins and development of crusading, as an imitation of Christ. For much of the twelfth century the ideals and activities of crusaders were often described in language more normally associated with a monastic rather than a military vocation; like those who took religious vows, crusaders were repeatedly depicted as being driven by a desire to imitate Christ and to live according to the values of the primitive Church. This book argues that the significance of these descriptions has yet to be fully appreciated, and suggests that the origins and early development of crusading should be studied within the context of the "reformation" of professed religious life i...
All the Lives We Ever Lived
Katharine Smyth was a student at Oxford when she first read Virginia Woolf's modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death - a calamity that claimed her favourite person - she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief. Smyth's story moves between the New England of her childhood and Woolf's Cornish shores and Bloomsbury squares, exploring universal questions about family, loss and homecoming. Through her inventive, highly personal reading of To the Lighthouse and her artful adaptation of its groundbreaking structure, Smyth guides us towards a new vision of Woolf's most demanding and rewarding novel - and crafts an elegant reminder of literature's ability to clarify and console. Braiding memoir, literary criticism and biography, All the Lives We Ever Lived is a wholly original debut: a love letter from a daughter to her father, and from a reader to her most cherished author.
