Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Advances In Geosciences (A 6-volume Set) - Volume 11: Hydrological Science (Hs)
Advances in Geosciences is the result of a concerted effort to bring together the latest results and planning activities related to earth and space science in Asia and the international arena. The volume editors are all leading scientists in their research fields covering six sections: Atmospheric Science (AS), Hydrological Science (HS), Ocean Science (OS), Solid Earth (SE), Solar Terrestrial (ST) and Planetary Science (PS). The main purpose is to highlight the scientific issues essential to the study of earthquakes, tsunamis, atmospheric dust storms, climate change, drought, flood, typhoons, monsoons, space weather, and planetary exploration.
Blood & Tinsel
'Jim Sharman is one of Australia's visionary greats: low-brow, high-brow, pop yet classical, fearless and fun.' Baz Luhrmann Blood and Tinsel is a stunning self-portrait-lyrical, wry, smart and uncompromising-of one of the most daring Australian directors. Jim has perched ringside at the carnival of his own times and it's a hot ticket! 'The Sharman/Shaman/Showman firmament twinkles with galaxies as diverse as Rocky Horror, Hair, discovering Kubrick, Lou Reed, Weimar cabaret. He made Australian creativity hip and original and international when it really mattered.' Geoffrey Rush In Blood and Tinsel, Jim Sharman takes us on an epic personal journey from his colourful childhood in his father's ...
Fifty Key Theatre Directors
Discusses each director's key productions, ideas and rehearsal methods, combining theory and practice.
'The Winter's Tale' in Performance in England and America 1611-1976
This 1982 book examines The Winter's Tale in performance from Jacobean England to the twentieth century.
Oceans
One of the most satisfying culinary pursuits is to catch, prepare and eat absolutely fresh seafood. The recipes and stories in this book are a celebration of Australia, our maritime history, our oceans and the wonderful seafood they provide.
Drama
An engaging book spanning the fields of drama, literary criticism, genre, and performance studies, Drama: Between Poetry and Performance teaches students how to read drama by exploring the threshold between text and performance. Draws on examples from major playwrights including Shakespeare, Ibsen, Beckett, and Parks Explores the critical terms and controversies that animate the performance and study of drama, such as the status of language, the function of character and plot, and uses of writing Engages in a theoretical, disciplinary, and cultural repositioning of drama, by exploring and contesting its position at the threshold between text and performance
David Williamson
None
Ottemiller's Index to Plays in Collections
Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.
John Romeril
John Romeril has been one of the most prolific contributors to Australian theatre in the last twenty years. But since until recently few of his plays have been published, he has had inadequate recognition. As a founding member of the APG he was 'in at the start' of the revival of the so-called New Wave in Australian drama in the sixties. Romeril continues to be a leading influence in contemporary theatre. His work ranges from the well-known The Floating World (1974) to such recent successes as the community based play The Kelly Dance (1984), the mainstream drama Lost Weekend (1989) and the political play Black Cargo (1991). John Romeril is truly the great survivor of modern Australian theatre.
Theatre Australia (Un)limited
Theatre Australia (Un)limited tells a truly national story of the structures of post-war Australian theatre: its artists, companies, financial and policy underpinnings. It gives an inclusive analysis of three ‘waves’ of Australian theatrical activity after 1953, and the types of organisations which grew up to support and maintain them. Subsidy, repertoire patterns, finances and administration, theatre buildings, companies, festivals and notable productions of the commercial, mainstream and alternative Australian theatre are examined state by state, and changes to governmental policy analysed. Theatrical forms comprise not only spoken-word drama, but also music theatre, comedy, theatre-restaurant, circus, puppetry, community theatre in several forms and new mixed-media genres: physical theatre, circus, visual theatre and contemporary performance. Theatre Australia (Un)limited is the first comprehensive overview of the fortunes of Australian theatre as a national enterprise, providing the industrial analysis of the ‘three waves’ essential for the understanding of the New Wave and of contemporary drama.
