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Canada, 1951. An American B36 bomber with a live nuclear weapon on board crashes on a remote Canadian island. Jack Harper, an ex-Canadian Air Force serviceman, is recruited for a secret mission to recover the bomber's crew. He joins a Special Forces team led by Captain Groves to a mountain glacier on Parchment Island. But things turn terribly wrong when Jack realizes he has been deceived-this is no rescue mission. Captain Groves mistakes the bomber's crewmembers for Russians wanting to find the bomb. Losing all sense of reason, Groves decides to detonate the bomb to ensure it does not fall into the wrong hands. Jack makes contact with the downed crew members, and together they race for the bomber through a blinding snowstorm in a wild attempt to stop Groves. But Jack soon discovers that he is struggling on a mountain as unforgiving as the men he is dealing with. He no longer knows the difference between his enemies and his friends. The Cold War hangs in the balance as Jack races to stop a disaster in the making.
Together, the strands of Canada's diversity tell a complex story of pluralism, consolidated through a long and incremental period of constitution-building. This book brings together scholars of cultural diversity to address key components of the changing Canadian story: the evolution over time of multiculturalism within Canadian constitutional law and policy; the territorial dimension of Canadian federalism; and the role of constitutional interpretation by the courts in the development of Canada as a multicultural state. The essays illustrate how deeply multiculturalism is woven into the fabric of the Canadian constitution and the everyday lives of Canadians.
As the publishing sensation of the last half-century, Harry Potter dominates early education in politics. Children, tweens, teens, and adults love it; and most students come to college knowing at least some of it. This dark fantasy analyzes politics in strikingly practical and institutional ways. Like ancient Sophists, modern Machiavellians, and postmodern Nietzscheans, the Potter books treat politics as dark arts and our defenses against them. The Potter saga overflows with drama, humor, and insight into ours as dark times of terrible troubles. These reach from racism, sexism, and specism to fascism, terrorism, autocracy, and worse. Harry and his friends respond with detailed, entertaining ...
Entertainment media are rife with material that touches on the political. The stories with which we entertain ourselves often show us, for better or worse, that everything can be solved by the rise of an individual hero, and that the “best way” to deal with a bad guy with a gun is a good guy with a gun. Our stories portray individuals along the lines of gender, racial, and ethnic stereotypes; offer us villains that are one-dimensional characters driven by evil; and show us politicians who are almost always corrupt, self-serving, and/or incompetent. They offer up models for how to deal with oppressive authority and they typically portray worlds that are just, where those who do the right ...
Over the past ten years, fan fiction has outgrown its perceived taboo, as made by the public, and has evolved into a legitimate form of writing and self-expression. Academics, too, have recognized the potential for fan fiction studies through the lens of the humanities, psychology, sociology, and gender and queer studies. What makes 'Fix-It Fics: Challenging the Status Quo through Fanfiction' unique is in its specific focus on the fan fiction subgenre: fix-it fics. Also known in fan fiction communities as the fix-it, fans writing in this subgenre are motivated by fixing what they believe the original creators did not get right the first time. More significantly, fix-it fic writers generally ...