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The Coffin Path
**Longlisted for the HWA Gold Crown** An eerie and compelling ghost story set on the dark wilds of the Yorkshire moors. For fans of The Witchfinder's Sister and The Silent Companions, this gothic tale will weave its way into your imagination and chill you to the bone. 'Spine-tingling... the scariest ghost story I have read in a long time' Barbara Erskine 'A wonderful, macabre evocation of a lost way of life' The Times 'Like something from Emily Bronte's nightmares' Andrew Taylor, author of The Ashes of London Maybe you've heard tales about Scarcross Hall, the house on the old coffin path that winds from village to moor top. They say there's something up here, something evil. Mercy Booth isn'...
Languages and Communities in the Late and Post-Roman Western Provinces
This volume provides a collection of chapters by a multidisciplinary collection of experts on the linguistic variegation of the later-Roman and post-imperial period in the Roman west. It offers the first comprehensive modern study of the main developments, key features, and debates of the later-Roman and post-imperial linguistic environment.
Scotland
The work of leading authorities on Scottish history is brought together in this accurate and sophisticated portrait of Scotland from Roman times to the present day.
Glasgow's Gaelic Place-Names
It is time to bin - once and for all - the nonsense that Gaelic was never spoken in Glasgow. In fact, Glasgow's place-names tell us that Gaelic has been spoken in Glasgow for around a thousand years. Showcasing new research from the University of Glasgow, this illustrated guide to Glasgow's Gaelic namescape reveals how place-names are a key to unlocking Glasgow's hidden past and takes the reader on a journey of discovery the length and breadth of this great modern city - from Yoker in the west to Daldowie in the east, via Boclair, Carmunnock and many other places in between.The truth about Glasgow's past, present and future dispels myths and throws up countless surprises about Glasgow's deep Gaelic roots.
Peopling Insular Art
The International Conference on Insular Art (IIAC) is the leading forum for scholars of the visual and material culture of early medieval Ireland and Britain, including manuscript illumination, sculpture, metalwork, and textiles, and encompassing the work of Anglo-Saxon-, Celtic- and Norse-speaking artists. The present volume contains a selection of papers presented at the eighth IIAC, which took place in Glasgow 11-14 July 2017. The theme of IIAC8 - Peopling Insular Art: Practice, Performance, Perception - was intended to focus attention on those who commissioned, created, and engaged with Insular art objects, and how they conceptualised, fashioned, and experienced them (with ‘engagement...
Languages in Britain and Ireland
This book builds on the success of Glanville Price's The Languages of Britain, published in 1984, which was widely acclaimed as the most lively, reliable and comprehensive survey of the great number of languages that have at one time or another taken root in Britain.
Pictish Progress
Survey chapters analyse advances in studies of Pictish culture during the last fifty years. Inter-disciplinary case studies cover archaeology, place-names, history, liturgy, and history within a wider European framework.
A Parcel of Patterns
A PLAGUE - A VILLAGE - A LOCKDOWN 1665, Eyam, Derbyshire. 'Here I have set down all that I know of the Plague' It is 1665 and Mall Percival is a shepherd girl living in a Derbyshire village. She tends her flock, spends time with her best friend and teaches her young suitor to read. But one day a parcel of patterns, meant for a new dress for the pastor's wife, wings its way from London. The parcel carries an infection that spreads with horrifying speed. Herbal teas and open windows are the only defence against the sickness. Yet the villagers make a brave and selfless decision: to isolate themselves from the rest of the country. It is a lockdown that saves the neighbouring towns, but at heart-breaking cost to Mall's world. Based on the true events of the village of Eyam, this is the story of a courageous sacrifice that saved Derbyshire and beyond from a deadly virus. *SHORTLISTED FOR THE WHITBREAD PRIZE* 'A pocket masterpiece' Guardian Readers love A Parcel of Patterns 'I couldn't put it down' 'Brought me to tears too many times to count' 'If you think social distancing is hard in the Coronavirus pandemic, read this wonderful novel based on the true story of the village of Eyam'
The Birsay Bay Project Volume 3
The Brough of Birsay was the power-center of the Viking earldom of Orkney and is one of Historic Environment Scotlands key monuments and visitor attractions on the islands. This publication is the culmination of 60 years of investigations that took place on the site between 1954 and 2014. This new volume incorporates comprehensive accounts of work undertaken by Dr Ralegh Radford and Mr Stewart Cruden between 1954 and 1964, excavations by the Viking and Early Settlement Research Project under the direction of the author on site between 1974 and 1981, a rescue excavation in 1993, a geophysical survey in 2007 and archival research up to 2014. Specialist artefactual and palaeobiological studie...
Migrant Writers and Urban Space in Italy
This book is about migrants’ lives in urban space, in particular Rome and Milan. At the core of the book is literature as written by migrants, members of a “second generation,” and a filmmaker who defines himself as native. It argues that the narrative authored by migrants, refugees, second generation women, and one “native Italian” perform a reparative reading of Italian spaces in order to engender reparative narratives. Eve Sedgwick wrote about our (now) traditional way of reading based on unveiling and on, mainly, negative affect. We are trained to tear the text apart, dig into it, and uncover the anxieties that define our age. Migrants writers seem to employ both positive and negative affects in defining the past, present, and future of the spaces they inhabit. Their recuperative acts of writing, constitute powerful models of changes in/on place. As they look at Italian exclusionary spaces, they also rewrite them into a present whose transitiveness allows to imagine a process of citizenship and belong constructed from below.
