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French Gay Modernism
The first four decades of the twentieth century saw male homosexuality appear in French literature with increasing frequency and boldness. Departing from earlier, more muted presentations, André Gide, Marcel Proust, Jean Cocteau, René Crevel, Francis Carco, and a host of less-famous writers, all created overtly gay characters are gave them increasingly numerous and significant roles. Far from being simply shunned or marginalized, a number of these works were instead accepted as canonical. Lawrence Schehr's French Gay Modernism is the only study devoted to the analyzing these representations of male homosexuality in early twentieth-century French literature. Schehr explains how earlier repr...
The Cambridge Companion to Berlioz
Still chiefly known as the extravagant composer of the Symphonie fantastique, Berlioz was an artist caught in the crossfire between the academic classicism of the French musical establishment and the romantic modernism of the Parisian musical scene. He was a thinker in an age that invented both the religion of art and the notion of the 'genius' who preached and practised it. This Companion contains essays by eminent scholars on Berlioz's place in nineteenth-century French cultural life, on his principal compositions (symphonies, overtures, operas, sacred works, songs), on his major writings (a delightful volume of memoires, a number of short stories, large quantities of music criticism, an orchestration treatise), on his direct and indirect encounters with other famous musicians (Gluck, Mozart, Beethoven, Wagner), and on his legacy in France. The volume is framed by a detailed chronology of his life and a usefully annotated bibliography.
Never Say I
Never Say I reveals the centrality of representations of sexuality, and particularly same-sex sexual relations, to the evolution of literary prose forms in twentieth-century France. Rethinking the social and literary innovation of works by Marcel Proust, André Gide, and Colette, Michael Lucey considers these writers’ production of a first-person voice in which matters related to same-sex sexuality could be spoken of. He shows how their writings and careers took on political and social import in part through the contribution they made to the representation of social groups that were only slowly coming to be publicly recognized. Proust, Gide, and Colette helped create persons and characters...
Proust and the Arts
Offers new perspectives on Proust's complex and creative relation to a variety of art forms from different eras.
Masculinity and Western Musical Practice
How have men used art music? How have they listened to and brandished the musical forms of the Western classical tradition and how has music intervened in their identity formations? This collection of essays addresses these questions by examining some of the ways in which men, music and masculinity have been implicated with each other since the Middle Ages. Feminist musicologies have already dealt extensively with music and gender, from the 'phallocentric' tendencies of the Western tradition, to the explicit marginalization of women from that tradition. This book builds on that work by turning feminist critical approaches towards the production, rhetorical engagement and subversion of mascul...
Death At The Grass Huts
Growing up in the vast Paraguayan wilderness of thorn trees, snakes, and unreached indigenous tribes that threaten his family's survival, Rudolf Duerksen takes the reader on a journey of the harsh realities faced by Mennonite settlers in South America. Told from the perspective of the first generation born to Russian Mennonite refugees that settled in the Gran Chaco, Death at the Grass Huts is a memoir about human endeavor and reliance on God's grace in the face of adversity. There are stories about making first contact with tribes to developing a thriving economy alongside them""stories about misfortune and great personal sacrifice to turning Latin America's "green hell" into a prosperous community. Along the way, Rudolf finds himself cutting wheat fields in Kansas to delivering groceries on the narrow streets of old town Basel in Switzerland""from loading a plane in Texas headed to South America full of cows to starting a home for abandoned children on the gritty streets of Asuncion. In the end, these poignant and often humorous stories serve to reveal our shared humanity and what's possible when following God's leading.
Faculty Work in Schools of Education
A full-bodied, robust discussion of issues of concern to faculty in schools of education.
Listening Well
The twelve essays in Listening Well illuminate aesthetic, educative, and evaluative strategies utilized by writers in Paris, Boston, and New York to guide listeners in confronting the challenges of musical modernity between 1764 and 1890. They interpret criticism from treatises, journals, and newspapers for its importance in cultural history and consider the reception of major works by Beethoven and by Berlioz. The essays explore contrasting responses to new operas and symphonies by composers, librettists, authors, critics, and conductors as well as by writers including Chabanon, Lacépède, Berlioz, Urhan, D'Ortigue, Dwight, Fuller, Watson, and Hassard. Readers interested in perceptions of Classicism and Romanticism in music as they relate to French, German, and American literature and criticism will discover how audiences on both sides of the Atlantic were encouraged to listen attentively to the new and controversial in music of the eighteenth and nineteenth centuries.
The Musical World of Marie-Antoinette
For decades, eighteenth-century Paris had been declining into a baroque backwater. Spectacles at the opera, once considered fit for a king, had become "hell for the ears," wrote playwright Carlos Goldoni. Then, in 1774, with the crowning of Louis XVI and Marie-Antoinette, Paris became one of the world's most vibrant musical centers. Austrian composer Christophe-Willibald Gluck, protege of the queen, introduced a new kind of tragic opera--dramatic, human and closer to nature. The expressive pantomime known as ballet d'action, forerunner of the modern ballet, replaced stately court dancing. Along the boulevards, people whistled lighter tunes from the Italian opera, where the queen's favorite composer, Andre Modeste Gretry, ruled supreme. This book recounts Gluck's remaking of the grand operatic tragedy--long symbolic of absolute monarchy--and the vehement quarrels between those who embraced reform and those who preferred familiar baroque tunes or the sweeter melodies of Italy. The turmoil was an important element in the ferment that led to the French Revolution and the beheading of the queen.
Berlioz: Symphonie Fantastique
Situates Berlioz's Symphonie Fantastique within French Romanticism and considers influences, literary as well as musical, that shaped its conception.
