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Impressionist Giverny
Between 1885 and 1915, the village of Giverny (in France) attracted more than 350 artists from at least eighteen countries around the world, transforming from a sleepy community to a vibrant and important artists' colony. The presence of master impressionist painter Claude Monet, who settled in the village in 1883, attracted these young artists, but his presence does not solely explain Giverny's popularity. Artists also sought the opportunity to combine the practice of "plein air" painting with an active social life and enjoyed the locale's picturesque features and easy proximity to Paris. Many artists visited briefly, while others purchased homes and studios, making this Norman village an artistic center.
William Merritt Chase
A landmark retrospective that examines William Merritt Chase and his lasting contribution to the history of modern art The history of modern art owes a great debt to William Merritt Chase (1849-1916), one of America's influential artists and educators. Chase was a leading member of the international artistic avant-garde and was best known for his mastery of a wide range of subjects in oil and pastel, including figures, landscapes, urban park scenes, interiors, and portraits. As a teacher and founder of the Shinnecock Summer School of Art and the New York School of Art, Chase mentored a new generation of modernists, including Edward Hopper, Georgia O'Keeffe, and Joseph Stella. A century after his death, the breadth and richness of Chase's career are celebrated in this beautifully illustrated publication. Five essays by prominent scholars of American art offer new insights into Chase's multi-faceted artistic practice and his position in the international cultural climate at the turn of the 20th century.
Dr. Susan I. Moody's Travels to Iran, 1909-1934
This volume examines the life of the remarkable woman, Susan Moody, and her travels to Iran in the early 20th century during seismic changes in the world. Dr. Susan I. Moody’s Travels to Iran 1909-1934: Courageous Odyssey captures a fleeting moment of arresting change and shimmering possibility. Exploring the fading values of the 19th century and the emergent understandings of the 20th century, the author shows how one individual navigated such challenging times. This book explores the Industrial Revolution, the rise of the women’s movement, advances in medicine and healthcare, and the start of a new religion – The Baha’i Faith – of which Moody became a devoted member. Susan Moody ...
John Singer Sargent & Chicago's Gilded Age
"An examination of how the work of the American painter John Singer Sargent was displayed, collected, and influential in the civic and cultural development of Chicago, Illinois during the late nineteenth and early twentieth centuries"--
An American Art Colony
An American Art Colony studies three generations of a New Jersey art colony, setting a new model for the analysis of artistic biography and broadening the social context of artistic production. Its contribution rests on the historical value of colony changes over time from informal gatherings to self-conscious purposeful assemblages.
An American Painter in Venice
A biography of the American painter Ralph W. Curtis (1854-1922), of the Boston family who bought the Palazzo Barbaro on the Grand Canal in Venice in 1885. After graduating at Harvard, Curtis moved to Paris to study art with Carolus Duran, where he met his distant cousin John S. Sargent, with whom he travelled to Holland to see Franz Hals’s paintings. He exhibited at the Paris salons, at the Royal Academy of Arts in London, at the Venice Biennale in the 1880s. At Palazzo Barbaro he met Robert Browning, Henry James, but also Venetian painters such as Ettore Tito and Antonio Mancini. He travelled widely, even to Japan and India. His works are in American Museums and private collections.
Conversations with the Collection
The Terra Foundation for American Art uses its impressive collection of American art spanning a two-hundred-year period to fulfill its mission. Since the Foundation's establishment in 1978, it has sought to share the collection's extraordinary pieces by renowned American artists like Mary Cassatt, Georgia O'Keeffe, and Edward Hopper with an international audience, encouraging the study of American art around the world. Conversations with the Collection helps to realize the Foundation's mission of serving as a "museum without walls," bringing art and scholarship to a global audience. The handbook entries and scholars' responses to the artworks that comprise these Conversations provide fascina...
America's Cool Modernism
This catalogue looks at a current in interwar American art that is relatively unknown. The familiar story of America in the 'roaring Twenties' is that of 'The Great Gatsby', the Harlem Renaissance, and the Machine Age; while the 1930s are known as the Steinbeckian world marked by the Depression and the New Deal. This exhibition focuses on the artists who grappled with the experience of modern America with a cool, controlled detachment, almost completely eliminating people from their pictures. For some artists this treatment reflected an ambivalence and anxiety about the modern world. Factories without workers and streets without people. Factories without workers and streets without people co...
