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"Vividly detailed and beautifully written, this is a pleasure to read, a thoughtful, deeply engaging story of the power of faith to navigate history's rough terrain."—Booklist How Far Would You Go To Stay True to Yourself? Spain, 1492. On the eve of the Jewish expulsion from Spain, Amalia Riba stands at a crossroads. In a country violently divided by religion, she must either convert to Christianity and stay safe, or remain a Jew and risk everything. It's a choice she's been walking toward her whole life, from the days of her youth when her family lit the Shabbat candles in secret. Back then, she saw the vast possibility of the world, outlined in the beautiful pen and ink maps her father c...
Narrating the spectacular story of her rise to the pinnacle of imperial power, Queen Mother Nurbanu, on her sickbed, is determined to understand how her bond with the greatest of all Ottoman sultans, Suleiman the Magnificent, shaped her destiny – not only as the wife of his successor but as the appointed enforcer of one of the Empire’s most crucial and shocking laws. Nurbanu spares nothing as she dissects the desires and motives that have propelled and harmed her; as she considers her role as devoted and manipulative mother; as she reckons her relations with the women of the Harem; and as she details the fate of the most sophisticated observatory in the world. Nurbanu sets out to “see” the causes and effects of her loves and choices, and she succeeds by means of unflinching candor – right up to the last shattering revelation.
The Mapmaker's Daughter, a historical novel set in the 16th century, is the confession of Nurbanu, born Cecilia Baffo Veniero - the mesmerizing, illegitimate Venetian who became the most powerful woman in the Ottoman Empire at the height of its power under Sultan Suleiman the Magnificent—the bold backstory of the Netflix Series, Magnificent Century Narrating the spectacular story of her rise to the pinnacle of imperial power, Queen Mother Nurbanu, on her sickbed, is determined to understand how her bond with the greatest of all Ottoman sultans, Suleiman the Magnificent, shaped her destiny – not only as the wife of his successor but as the appointed enforcer of one of the Empire’s most crucial and shocking laws. Nurbanu spares nothing as she dissects the desires and motives that have propelled and harmed her; as she considers her role as devoted and manipulative mother; as she reckons her relations with the women of the Harem; and as she details the fate of the most sophisticated observatory in the world. Nurbanu sets out to “see” the causes and effects of her loves and choices, and she succeeds by means of unflinching candor - right up to the last shattering revelation.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
The landscape of Women with Men ranges from the northern plains of Montana to the streets of Paris and the suburbs of Chicago. The tragedies that stalk the characters are unfolded with an indelible wit and clarity. So merciless is Ford's lingering gaze upon human, mostly male, weakness, so understanding his eye for the unravelling threads of human love, that this collection of novellas seems only to broaden the reputation and the following of one of the outstanding writers of our time.
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In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad ...
Stung by betrayal, a sheltered woman boards a plane to find a world beyond Milwaukee: “The author writes with wit and flair. . . . A romantic escape to savor.” —Kirkus Reviews Betsy has been sheltered for a long time—by her close-knit family, Catholic school education, college in her hometown, and early marriage. It takes the discovery of her husband’s serial philandering to push her out of the nest, at age thirty-two, in the summer of 1981. Betsy grabs a backpack and a few good books and puts distance—geographical and emotional—between herself and the life she knew in Wisconsin. She begins to make her own decisions: which cities to travel to, what hotels to stay at, and what d...
A literary treat: a memoir of Edmund White's years among the cultural and intellectual elite of 1980s Paris
Since childhood, Paolo Tullio has returned each year to his hometown of Gallinaro, to the labyrinthine nest of his relations and to the passionate people of his valley. North of Naples, South of Rome describes a hysterically chaotic wine competition, samples the Italian cantina, instructs on marketplace haggling, and investigates the charms and scams of Naples. It looks with disbelief at a tortuous bureaucracy, observes the role of the church in daily life, and explains how to win a local election and how to roast a pig. With fascinating detours on local buildings, history, folklore, and fashion, the reader tours a carousel of picnics, feasts, and fireworks, led by the delightful pen and ink drawings of Tullio's wife, renowned watercolorist Susan Morley. This warmhearted tour of a charming, intimate world is as enticing and original as A Year in Provence and Under the Tuscan Sun.