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A play that asks what labor is worth and how life can be lived when the system is against you.
The Small Hours
It's the middle of the night, and Peebs and Epi are the only students left at school over half-term. At the end of their night out, former step-siblings Red and Jazz try to navigate their reunion. With only a couple of hours until morning, Jaffa tries to help Keesh finish an essay. As day breaks, Wolfie is getting up the courage to confess a secret to VJ at a party. Their choices are small yet momentous. The hours are small but feel very, very long. And when the night finally ends, the future is waiting - every last bit of it. Katherine Soper's play The Small Hours was written specifically for young people. It formed part of the 2019 National Theatre Connections Festival and was premiered by youth theatres across the UK. The play offers rich opportunities for a large cast of young performers.
Greek Tragedies for Contemporary Times
Three electrifying, fresh takes on Greek Tragedies, each the culmination of the Lyric Hammersmith's Springboard development programme for under-represented young people.
Steps Out of Time
Years ago an overachieving and harried young mother accidentally flushed her gold watch down the toilet. Time passed, but the image of the lost watch continued to haunt her, a symbol of an overcommitted life. Two decades later, propelled by a series of curious coincidences, she leaves behind her busy professional life, her cell phone, and her family to escape the tyranny of time and walk five hundred miles across northern Spain to Santiago de Compostela. Steps Out of Time brings the mysterious and wonderful world of the Camino to life with its tales of serendipitous encounters, new friends made (and one tragically lost), stunning natural beauty, and unforgettable food. By the end of her journey, an exhausted and exhilarated Katharine Soper is keenly aware that she has completed much more than a month-long walk.
Post-Growth Living
An urgent and passionate plea for a new and ecologically sustainable vision of the good life. The reality of runaway climate change is inextricably linked with the mass consumerist, capitalist society in which we live. And the cult of endless growth, and endless consumption of cheap disposable commodities isn't only destroying the world, it is damaging ourselves and our way of being. How do we stop the impending catastrophe, and how can we create a movement capable of confronting it head-on? In Post-Growth Living, philosopher Kate Soper offers an urgent plea for a new vision of the good life, one that is capable of delinking prosperity from endless growth. Instead, she calls for a renewed emphasis on the joys of being, one that is capable of collective happiness not in consumption but by creating a future that allows not only for more free time, and less conventional and more creative ways of using it, but also for more fulfilling ways of working and existing. This is an urgent and necessary intervention into debates on climate change.
Town of Milton Seal
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National Theatre Connections 2019
National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year. This anthology brings together 10 new plays by some of the UK's most prolific and current writers and artists alongside notes on each of the texts expl...
English Theatre and Social Abjection
Focusing on contemporary English theatre, this book asks a series of questions: How has theatre contributed to understandings of the North-South divide? What have theatrical treatments of riots offered to wider debates about their causes and consequences? Has theatre been able to intervene in the social unease around Gypsy and Traveller communities? How has theatre challenged white privilege and the persistent denigration of black citizens? In approaching these questions, this book argues that the nation is blighted by a number of internal rifts that pit people against each other in ways that cast particular groups as threats to the nation, as unruly or demeaned citizens – as ‘social abjects’. It interrogates how those divisions are generated and circulated in public discourse and how theatre offers up counter-hegemonic and resistant practices that question and challenge negative stigmatization, but also how theatre can contribute to the recirculation of problematic cultural imaginaries.
Milton Cemetery. A Catalogue of the Proprietors of Lots, Together with a Record of Ancient Inscriptions on All Tablets in the Cemetery Prior to and Including A.D. 1687-A.D. 1800
Reprint of the original, first published in 1883.
