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Irish People, Irish Linen
The story of Irish Linen is a story of the Irish men and women who made Irish linen a global product and an international brand. It is also a story of innovation and opportunity. Irish linen has served its makers as sailcloth of incredible strength and durability for world exploration and trade; it has functioned as watertight containers for farmers and firemen; it has soothed the brows of royalty and absorbed the sweat of the working class. As outerwear and underwear, linen has clothed men, women, and children from birth to death- the rich and powerful, poor and pitiful alike. Into this cultural history, the author weaves personal narratives and the words and songs of individual spinners, factory workers, and outworkers. Lavishly illustrated and engagingly written, each chapter tells of art, social and economic history, design, fashion, architecture, technology, and cultural traditions that celebrate the linen industry. -- from Book Jacket.
Adventurous Max Flax
Follow along with Max Flax as he is transformed from a plant growing in the Irish countryside to become a linen shirt worn by a coffee plantation owner in South America. Linen has been used for thousands of years by everyone, rich and poor, old and young. Before manmade fabrics, all clothing was made of silk, cotton, wool, and flax. Join Max on his adventure from Ireland to South America. Brilliant Books
Textile Art from Southern Appalachia
Features forty-four coverlets and two quilts made by hand weavers who lived in Western North Carolina, Eastern Kentucky, East Tennessee, and Southwest Virginia. Ms. Wilson has spent many years researching southern Appalachian overshot coverlet weaving.
Uplifting the South
Although Scarlett O'Hara's is a fictional character developed by a skilful author, there were some real Southern women who truly possessed legendary strengths. One such woman is Mary Sullivan, a 19th century woman with an iron will, persuasive Southern charm, and motives that were selfless in contrast to Scarlett's entirely selfish ones. Sullivan deserves recognition for her contribution to the South and to all of American society as the role of women changed dramatically in the 19th and 20th centuries.. In 1860, Sullivan was a strikingly beautiful, twenty-four-year-old woman, endowed with allure and social graces born of her prominent Virginia lineage and rich Southern culture. A benevolent...
Overshot
Woven coverlets have appeared in several guises within the history of folk textiles. Created on four-harness looms, coverlets made in the nineteenth-century American South typically featured colored wool and cotton threads woven into striking geometric patterns. Although they are not as well known as other textiles and domestic objects, “overshot” coverlets were, and continue to be, significant examples of material culture that require tremendous skill and creativity to produce. They also express currents of conformity and dissent. In addition to being pleasing to the eye and hand, “overshot” coverlets have advanced a variety of social and political ends. At times exhibited in slave ...
Roots of a Region
Roots of a Region reveals the importance of folk traditions in shaping and expressing the American South. This overview covers the entire region and all forms of ex-pression-oral, musical, customary, and material. The author establishes how folklore pervades and reflects the region\'s economics, history (espe-cially the Civil War), race rela-tions, religion, and politics. He follows with a catalog of those folk-cultural traits-from food and crafts to music and story-that are distinctly southern. The book then explores the Native American and Old World sources of southern folk culture. Two case studies serve as examples to stu-dents and as evidence of the author\'s larger points. The first tr...
Familia 2005
Familia,which was first published in 1985, aims to provide informed writing on sources and case studies relating to that area where Irish history and genealogy overlap with mutual benefit. Members of the Foundation's Guild receiveFamiliaand theDirectory of Irish Family History Researchas part of the return on their annual subscription.
A Mess of Greens
Combining the study of food culture with gender studies and using perspectives from historical, literary, environmental, and American studies, Elizabeth S. D. Engelhardt examines what southern women's choices about food tell us about race, class, gender, and social power. Shaken by the legacies of Reconstruction and the turmoil of the Jim Crow era, different races and classes came together in the kitchen, often as servants and mistresses but also as people with shared tastes and traditions. Generally focused on elite whites or poor blacks, southern foodways are often portrayed as stable and unchanging--even as an untroubled source of nostalgia. A Mess of Greens offers a different perspective...
Weavers of the Southern Highlands
Weaving centers led the Appalachian Craft Revival at the beginning of the twentieth century. Soon after settlement workers came to the mountains to start schools, they expanded their focus by promoting weaving as a way for women to help their family's financial situation. Women wove thousands of guest towels, baby blankets, and place mats that found a ready market in the women's network of religious denominations, arts organizations, and civic clubs. In Weavers of the Southern Highlands, Philis Alvic details how the Fireside Industries of Berea College in Kentucky began with women weaving to supply their children's school expenses and later developed student labor programs, where hundreds of students covered their tuition by weaving. Arrowcraft, associated with Pi Beta Phi School at Gatlinburg, Tennessee, and the Penland Weavers and Potters, begun at the Appalachian School at Penland, North Carolina, followed the Berea model. Women wove at home with patterns and materials supplied by the center, returning their finished products to the coordinating organization to be marketed. Dozens of similar weaving centers dotted mountain ridges.
