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Irish People, Irish Linen
The story of Irish Linen is a story of the Irish men and women who made Irish linen a global product and an international brand. It is also a story of innovation and opportunity. Irish linen has served its makers as sailcloth of incredible strength and durability for world exploration and trade; it has functioned as watertight containers for farmers and firemen; it has soothed the brows of royalty and absorbed the sweat of the working class. As outerwear and underwear, linen has clothed men, women, and children from birth to death- the rich and powerful, poor and pitiful alike. Into this cultural history, the author weaves personal narratives and the words and songs of individual spinners, factory workers, and outworkers. Lavishly illustrated and engagingly written, each chapter tells of art, social and economic history, design, fashion, architecture, technology, and cultural traditions that celebrate the linen industry. -- from Book Jacket.
Overshot
Woven coverlets have appeared in several guises within the history of folk textiles. Created on four-harness looms, coverlets made in the nineteenth-century American South typically featured colored wool and cotton threads woven into striking geometric patterns. Although they are not as well known as other textiles and domestic objects, “overshot” coverlets were, and continue to be, significant examples of material culture that require tremendous skill and creativity to produce. They also express currents of conformity and dissent. In addition to being pleasing to the eye and hand, “overshot” coverlets have advanced a variety of social and political ends. At times exhibited in slave ...
Weavers of the Southern Highlands
Weaving centers led the Appalachian Craft Revival at the beginning of the twentieth century. Soon after settlement workers came to the mountains to start schools, they expanded their focus by promoting weaving as a way for women to help their family's financial situation. Women wove thousands of guest towels, baby blankets, and place mats that found a ready market in the women's network of religious denominations, arts organizations, and civic clubs. In Weavers of the Southern Highlands, Philis Alvic details how the Fireside Industries of Berea College in Kentucky began with women weaving to supply their children's school expenses and later developed student labor programs, where hundreds of students covered their tuition by weaving. Arrowcraft, associated with Pi Beta Phi School at Gatlinburg, Tennessee, and the Penland Weavers and Potters, begun at the Appalachian School at Penland, North Carolina, followed the Berea model. Women wove at home with patterns and materials supplied by the center, returning their finished products to the coordinating organization to be marketed. Dozens of similar weaving centers dotted mountain ridges.
A Mess of Greens
Combining the study of food culture with gender studies and using perspectives from historical, literary, environmental, and American studies, Elizabeth S. D. Engelhardt examines what southern women's choices about food tell us about race, class, gender, and social power. Shaken by the legacies of Reconstruction and the turmoil of the Jim Crow era, different races and classes came together in the kitchen, often as servants and mistresses but also as people with shared tastes and traditions. Generally focused on elite whites or poor blacks, southern foodways are often portrayed as stable and unchanging--even as an untroubled source of nostalgia. A Mess of Greens offers a different perspective...
Now and Then
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Writing Freedom into Narratives of Racial Injustice in Virginia’s Shenandoah Valley
Far too many towns and cities across the United States continue to deny the history of the interstate trade of enslaved men, women, and children, and are resistant to recognizing sites associated with enslavement. The Shenandoah Valley of Virginia is one of these regions, and its historical texts and public history sites perpetuate the racist belief that enslaved individuals were not a factor in the establishment and history of this region because the census numbers in the antebellum era were ‘low’. In the case of the valley, myriad discourses have created a false story of the non-presence of African Americans that, as it became increasingly replicated, became more and more thought of as...
Wildlife, Wildflowers, and Wild Activities
The outdoors come to life in this collection of stories, games, crafts, investigations, and hands-on activities meant to accompany excursions into the fields, forests, and wetlands of southern Appalachia. The region’s rich natural diversity is highlighted, from its low-elevation coves to its highland ridges and balds. Because the southern Appalachian Mountains provide diverse habitats for plants and animals, every visit presents a new adventure. With an emphasis on the importance of a good conservation ethic along with suggestions on how to get involved in community conservation efforts, explorers of all ages can learn about topics such as plants, animals, microscopic life, life after dark, and environmental awareness.
Textile Art from Southern Appalachia
Features forty-four coverlets and two quilts made by hand weavers who lived in Western North Carolina, Eastern Kentucky, East Tennessee, and Southwest Virginia. Ms. Wilson has spent many years researching southern Appalachian overshot coverlet weaving.
Uncoverings
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Roots of a Region
Roots of a Region reveals the importance of folk traditions in shaping and expressing the American South. This overview covers the entire region and all forms of ex-pression-oral, musical, customary, and material. The author establishes how folklore pervades and reflects the region\'s economics, history (espe-cially the Civil War), race rela-tions, religion, and politics. He follows with a catalog of those folk-cultural traits-from food and crafts to music and story-that are distinctly southern. The book then explores the Native American and Old World sources of southern folk culture. Two case studies serve as examples to stu-dents and as evidence of the author\'s larger points. The first tr...
