Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
When I'm Gone
Preparation for loved ones for when you are just not there.
A Study Guide for Kathleen Fraser's "Poem in Which My Legs Are Accepted"
A Study Guide for Kathleen Fraser's "Poem in Which My Legs Are Accepted," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
What I Want
None
Mourning and Milestones
Grief can drive you to your knees, overtake you suddenly, and challenge you over and over again to find ways to simultaneously live and mourn. Its ability to exhaust us and to shake our stability seems to be greatest on special occasions. It is these landmark days that most challenge our ability to be present and find ways to make it through the day. Mourning and Milestones: Honoring Anniversaries, Birthdays and Special Occasions After a Loved One Dies helps to ease the burden of invention for grievers who are searching for ways to both honor their loss and live in the present. Widow, and bereavement group facilitator Kathleen Fraser shares her struggle finding ways to meet the challenges of these difficult days after the death of her husband. Based upon her own experiences with diminished capacity, fear of getting lost in grief, and a general sense of unmooring, Kathleen offers functional strategies for planning ahead, seeking gratitude where it can be found and trusting others to help.
Leaving Lines of Gender
The most significant contribution to the literary history of Language writing to date.
In Her Own Image
The work of Western women artists, past and present, is collected here in a stunning array of forms: fiction, poetry, autobiography, essay, journal and letter writing, sculpture, painting, graphics, photography, ceramics, needlework, music, and dance. The unique experience of women artists from diverse national, ethnic, racial, and economic backgrounds is explored from their own viewpoints, as are the relationships between women's social condition and women's art.
In Commemoration of the Visit
Poetry. Art. Collaboration. About her collaboration with Robert Glück, Kathleen Fraser writes, "IN COMMEMORATION OF THE VISIT OF FOREIGN COMMERCIAL REPRESENTATIVES TO JAPAN, 1947 is a small picture book assembled as a memento of Japan's finest tourist sites, to be given to their new allies (and recent adversaries). I discovered the book when my friend Bob Glück sent me to an Asian antique store, where he thought I might find 'little things' for Christmas gifts. Seeing the book in the $1 box, I bought a copy and began to write a poem sequence based on each of the photos and their captions, not knowing that Bob had also bought this book and was writing his own version from the same collection of pictures." Featuring color reproductions of the entire postcard book.
Il Cuore – the Heart
Rich and detailed poems by one of America's preeminent experimental writers. il cuore : the heart is a major new collection of poetry by Kathleen Fraser, one of the most significant poets of the last generation and a writer of unusual courage and inventiveness. From the intimacy of early poems to the syntactic play of her much-praised book, when new time folds up (1993), Fraser's work examines fields of possibility, where the visual, theoretical, and lyrical collide. This book provides a generous selection of work both new and old, tracing the development of her poetics over the last three decades. Rich with detail, these poems radicalize intention by embracing error, as in "boundayr," and reassert language innovation as a feminist strategy. They lead us toward "the infinity of a door only slightly ajar" and have established Fraser as one of America's preeminent experimental writers.
Poetics of the Feminine
This book examines the early work of William Carlos Williams in relationship to a women's tradition of American poetry, as represented by Mina Loy, Denise Levertov and Kathleen Fraser--three generations of women poets working in or directly from a modernist tradition. Linda Kinnahan traces notions of the feminine and the maternal that develop as Williams seeks to create a modern poetics. Positioning Williamas in relationship to these three generations of Anglo-American women, the book pursues two questions: what can women poets, writing with an informed awareness of Williams, teach us about his modernist poetics of contact, and just as importantly, what can they teach us about the process, for women, of constructing a self within a male-dominated tradition?
Translating the Unspeakable
This collection of 18 essays by the poet Kathleen Fraser, combines autobiography and criticism to examine what it means for an artist to innovate instead of following an already travelled path. The essays also examine modernist women writers, their contemporary successors, and their visual poetics.
