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Findings
It's surprising what you can find by simply stepping out to look. Award-winning poet Kathleen Jamie has an eye and an ease with the nature and landscapes of Scotland as well as an incisive sense of our domestic realities. In Findings she draws together these themes to describe travels like no other contemporary writer. Whether she is following the call of a peregrine in the hills above her home in Fife, sailing into a dark winter solstice on the Orkney islands, or pacing around the carcass of a whale on a rain-swept Hebridean beach, she creates a subtle and modern narrative, peculiarly alive to her connections and surroundings.
Surfacing
Collective Winner of the 2019 Highland Book Prize Under the ravishing light of an Alaskan sky, objects are spilling from the thawing tundra linking a Yup'ik village to its hunter-gatherer past. In the shifting sand dunes of a Scottish shoreline, impressively preserved hearths and homes of Neolithic farmers are uncovered. In a grandmother's disordered mind, memories surface of a long-ago mining accident and a 'mither who was kind'. For this luminous new essay collection, acclaimed author Kathleen Jamie visits archaeological sites and mines her own memories - of her grandparents, of youthful travels - to explore what surfaces and what reconnects us to our past. As always she looks to the natural world for her markers and guides. Most movingly, she considers, as her father dies, and her children leave home, the surfacing of an older, less tethered sense of herself. Surfacing offers a profound sense of time passing and an antidote to all that is instant, ephemeral, unrooted.
Sightlines
Winner of the 2014 Orion Book Award for Nonfiction Winner of the John Burroughs Association 2014 Medal for Distinguished Natural History Book In Sightlines, Kathleen Jamie reports from the field—from her native Scottish “byways and hills” to the frigid Arctic in fourteen enthralling essays. She dissects whatever her gaze falls upon—vistas of cells beneath a hospital microscope, orcas rounding a headland, the aurora borealis lighting up the frozen sea. In so doing, she questions what, exactly, constitutes “nature,” and upends the idea that it is always picturesque. Written with precision, subtlety, and wry humor, Sightlines urges the reader: “Keep looking, even when there’s nothing much to see.”
The Overhaul
The Overhaul is Kathleen Jamie’s first collection since the award-winning The Tree House, and it broadens her poetic range considerably. The Overhaul continues Jamie’s lyric enquiry into the aspects of the world our rushing lives elide, and even threaten. Whether she is addressing birds or rivers, or the need to accept loss, or sometimes, the desire to escape our own lives, her work is earthy and rigorous, her language at once elemental and tender. As an essayist, she has frequently queried our human presence in the world with the question ‘How are we to live?’ Here, this is answered more personally than ever. The Overhaul is a mid-life book of repair, restitution, and ultimately hope – of the wisest and most worldly kind.
Antlers of Water
'Luminous' The Times 'Beautiful’ Caught by the River Bringing together contemporary Scottish writing on nature and landscape, this inspiring collection takes us from walking to wild swimming, from red deer to pigeons and wasps, from remote islands to back gardens, through prose, poetry and photography. Edited and introduced by Kathleen Jamie, and with contributions from Amy Liptrot, Jim Crumley, Chitra Ramaswamy, Malachy Tallack, Amanda Thomson and many more, Antlers of Water urges us to renegotiate our relationship with the more-than-human world, in writing which is by turns celebratory, radical and political.
Among Muslims
A Western woman shares her adventures in Northern Pakistan, where she visited romote villages and befriended local people. Original.
The Bonniest Companie
In her extraordinary new collection, Kathleen Jamie examines her native Scotland--a country at once wild and contained, rural and urban--and her place within it. In the author's own words : "2014 was a year of tremendous energy in my native Scotland, and knowing I wanted to embrace that energy and participate in my own way, I resolved to write a poem a week, and follow the cycle of the year." The poems also venture into childhood and family memory--and look to ahead to the future. The Bonniest Companie is visionary response to a year shaped and charged by both local and global forces, and will stand as a remarkable document of our times.
Selected Poems
Kathleen Jamie’s Selected Poems gathers together some of the finest work by one of the foremost poets currently writing in English. Although Jamie is perhaps best known for her writing on nature, landscape, and place, Selected Poems shows the full and remarkably diverse range of her work – and why many regard her work as crucially relevant to our troubled age. No poet currently writing has a keener eye or ear; no poet has paid more careful attention to the other consciousnesses with whom we share the planet – and no poet has Jamie’s almost miraculous ability to show us just how the world might look when the human eye ceases to gaze on it. This exceptional collection of poetry, spanning several decades, allows readers to chart the development of one of our most important contemporary talents, and serves as perfect introduction to her work.
The Tree House
For several years now, Kathleen Jamie's work has addressed two principal concerns: how we negotiate with the natural world, and how we should define our conduct within family and society. In The Tree House Jamie argues - as Burns did before her - for an engagement of the whole being through a kind of practical earthly spirituality. These often startling encounters with animals, birds, and other humans propose a way of living which recognises the earth as home to many different consciousnesses -- and a means of authentic engagement with ‘this, the only world’. Together they form one of the most powerful poetic statements of recent years.
The Golden Treasury of Scottish Verse
The Golden Treasury of Scottish Verse is a timeless collection of Scottish poetry. It contains over three hundred poems ranging from the early medieval period to the twenty-first century, and paints a full-colour portrait of Scotland’s poetic heritage and culture. Edited and introduced by award-winning poets Kathleen Jamie, Don Paterson and Peter Mackay, and including poems by Robert Burns, Carol Ann Duffy, Sorley Maclean, Violet Jacob, William Dunbar, Meg Bateman, George Mackay Brown, Màiri Mhòr nan Òran, Robert Louis Stevenson, Jackie Kay, Liz Lochhead, and many more, The Golden Treasury of Scottish Verse is a joyous celebration of Scotland’s literary past, present and future.
