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On the eve of the 20th century, Chinese magician Ching Ling Foo, one of the greatest illusionists ever seen on American soil, along with his talented family of musicians and acrobats overcomes deportation attempts, homeland tragedy, crooked managers and a diabolically clever American copycat to make an indelible impact on American culture becoming one of the highest paid and most popular acts in the United States twice. First, between 1898 and 1900 then once more between 1912 and 1915. Foo's story is indeed a magical one but, it is also so much more. With its focus on the interplay between Chinese and Western culture, celebrity, intercultural teen singing sensations, geopolitics, international intrigue, nativism, and disruptive technology, careful readers will discover "Foo" may hold many lessons for our own increasingly unruly era.
This collection of essays has been written by magicians who really care about magic. Having discovered magic at a young age, they have allowed it to mature alongside their intellectual and practical formation. They contemplate different dimensions of magic and how they relate to it. Their stories and reflections reveal remarkable similarities in the themes that they address: Magic as power. Magic as escape. Magic as protection. Magic as play. Magic as medium. Magic as unknowable. Magic as symbol. Magic as language. Magic as incomplete. The book will touch anyone who has imagined a magical world and who has a sense of wonder, either as a child or as an adult. Broad in its approach, specific in its intent, 'The Magiculum' offers much to contemplate.
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