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Set against the backdrop of the early American presence in Iran under the Shah, and the burgeoning years of Kuwait’s early oil boom, Dancing into the Light is Kathryn Abdul-Baki’s memoir of growing up within both the expatriate Western communities and the larger Middle Eastern society of Kuwait and Jerusalem. Hers is a story of belonging to two vastly different cultures and finding her place within both, and the search to find the inherent harmony in worlds at odds with each other. She is already caught in both the joys of and the struggle to be both Arab and American, yet not fully either, when her young life of promise is disrupted by tragedy. But instead of derailing her life, her mother’s death opens the door to deeper love and support from other places within Kathryn’s family. Dancing into the Light is a story of love, loss, and renewal, and of overcoming devastating early trauma through music, dancing, and the love and devotion of strong American and Arab women.
After a devastating stillbirth and longing for a second child, English professor Joy explores Granada, Spain, hoping to ease her heartbreak and rekindle her relationship with her husband, Richard. Instead, their trip leads to an erotic interlude between Joy and a handsome stranger—and Richard, filled with disappointment at his disintegrating marriage, embarks on an affair with vivacious Belinda, their tryst unfolding in a series of cheap hotel rooms. After learning of Richard’s affair, Joy divorces him and moves to Virginia. Despite her lingering bitterness over his infidelity, Joy is inspired by the centuries-old love story between Sultan Suleyman and his Russian concubine, Roxelana, and in traveling to Istanbul with Richard finds herself attracted to him anew. However, Richard has a confession: Belinda, although out of his life for several years, has had his daughter—a now-three-year-old named Karma—and, critically ill, has asked that Richard and Joy take Karma. Joy agrees to travel to Tunisia with Richard—and when they arrive, Belinda divulges the shocking truth about her daughter to Joy.
The Oxford History of the Novel in English is a twelve-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction, written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, and tendencies. This book offers an account of US fiction during a period demarcated by two traumatic moments: the eve of the entry of the United States into the Second World War and the onset of t...
Offering more than just an introduction or a celebration of the Arab American presence in the Americas, the essays in this book aim at expanding readers' understanding of what it means to be part of the Arab diaspora and to live in the Americas.
An innocent yet stinging-and always absorbing-account of the lives of two young expatriate girls in Kuwait in the 1960s. Abdul-Baki presents the voices of both girls, telling their stories in present time and flashback.
The Arab Diaspora examines the range of roles the Arab world has played to various audiences on the modern and postmodern stage and the issues which have arisen as a result. The variety of roles explored reflects the diversity of Arab culture. With particular focus placed on political, diplomatic and cultural issues, the book explores the relationship between the Arab world and the West, covering topics including: Islam and its common ancestry and relationship with Christianity the varying forms of Arab civilization and its inability in more modern times to fulfil the dreams of nineteenth and twentieth century reformers continued stereotyping of the Arab world within the media. The Arab Diaspora is essential reading for those with interests in Arabic and Middle East studies, and cultural studies.
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The last couple of decades have witnessed a flourishing of Arab-American literature across multiple genres. Yet, increased interest in this literature is ironically paralleled by a prevalent bias against Arabs and Muslims that portrays their long presence in the US as a recent and unwelcome phenomenon. Spanning the 1990s to the present, Carol Fadda-Conrey takes in the sweep of literary and cultural texts by Arab-American writers in order to understand the ways in which their depictions of Arab homelands, whether actual or imagined, play a crucial role in shaping cultural articulations of US citizenship and belonging. By asserting themselves within a US framework while maintaining connections...
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