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This hard cover details Descendants of Chief Powhatan through 16 generations and includes a bibliography and index.
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This edited volume is the first extensive exploration of the value for literary studies of the model of communication known as relevance theory which stresses the importance of context and inference in the interpretation of communicative acts.
Provides a reflection on the relations between nature and culture as manifested by literary artefacts, and reframes literary study as a form of cognitive anthropology and archaeology.
Ullrich Langer investigates why lyric representation holds a particular power to address our humanity from Virgil to Flaubert.
Literature is one of the richest sources of information concerning the ways in which human beings play with cognition. Human cognition is grounded in the ability to feel, perceive, and move. Kinesic Humor examines literary works written in different languages and various historical periods, in which the cognitive processing of gestures and kinesic interactions trigger humorous effects. By bringing together literary studies, cognitive studies, gesturestudies, and humor studies, this book offers an original perspective on literary artworks such as Chrétien de Troyes' Yvain, Milton's Paradise Lost, Cervantes' Don Quixote, Rousseau's Confessions, Sterne's Tristram Shandy, and Stendhal's Le Rouge et le Noir.
Increasingly we have come to live in our heads, leaving our bodies behind. The consequences have been far-reaching, of which cognitive theory has warned us, advocating a 'return to the body.' This book employs several case studies-kings performing in ballets, sea captains dancing with natives, nationalists engaged in gymnastics exercises-to demonstrate what has been lost and what could be gained by a more embodied approach to living, to history. These curious movements were ways to be, to think, to know, to imagine, and to will. They highlight the limits of historical explanations focusing on cultural factors and question currently fashionable 'cultural' and 'post-modern' perspectives. Bodies, cognitive theory tells us, are the same regardless of historical context, and they engage in the same intentional activities. Returning to our bodies and their movements enables us not only to explain historical actions anew, but also to understand ourselves better.
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This book was shortlisted for the R.H. Gapper prize 2011. On 8 February 1937 the 23-year-old Albert Camus gave an inaugural lecture for a new Maison de la culture, or community arts centre, in Algiers. Entitled 'La nouvelle culture méditerranéenne' ('The New Mediterranean Culture'), Camus's lecture has been interpreted in radically different ways: while some critics have dismissed it as an incoherent piece of juvenilia, others see it as key to understanding his future development as a thinker, whether as the first expression of his so-called 'Mediterranean humanism' or as an early indication of what is seen as his essentially colonial mentality. These various interpretations are based on r...
This is the first collection to systematically combine the study of memory and affect in early modern culture. Essays by leading and emergent scholars in the field of Shakespeare studies offer an innovative research agenda, inviting new, exploratory approaches to Shakespeare's work that embrace interdisciplinary cross-fertilization. Drawing on the contexts of Renaissance literature across genres and on various discourses including rhetoric, medicine, religion, morality, historiography, colonialism, and politics, the chapters bring together a broad range of texts, concerns, and methodologies central to the study of early modern culture. Stimulating for postgraduate students, lecturers, and researchers with an interest in the broader fields of memory studies and the history of the emotions – two vibrant and growing areas of research – it will also prove invaluable to teachers of Shakespeare, dramaturges, and directors of stage productions, provoking discussions of how convergences of memory and affect influence stagecraft, dramaturgy, rhetoric, and poetic language.