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The Daveiss - Hess Family
This hard cover details Descendants of Chief Powhatan through 16 generations and includes a bibliography and index.
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Losing Touch with Nature
Aristotelian naturalism and its discontents -- Losing touch with nature -- Spenser and the new science -- Shakespeare: New forms of nothing -- Matter and power -- Epilogue: What about Bacon?
Live Artefacts
Literary artefacts--the stories people tell, the songs they sing, the scenes they enact--are neither a by-product nor a side-issue in human culture. They provide a model of everything that cognition does. They refuse to separate thought from emotion, bodily responses from ethical reflection, perception from imagination, logic from desire. Above all, they demonstrate the essential fluidity and mobility of human cognition, its adaptive inventiveness. If we are astonished by the art of Chauvet or Lascaux as an early model of human cognition, then we should be continually astonished by what literature is and does as it reaches beyond itself to reimagine the world. This book argues that literary ...
Warring with Words
Scholars in many of the disciplines surrounding politics explicitly utilize either a narrative perspective or a metaphor perspective (though rarely the two in combination) to analyze issues -- theoretical and practical, domestic and international -- in the broad field of politics. Among the topics they have studied are: competing metaphors for the state or nation which have been coined over the centuries in diverse cultures; the frequency with which communal and international conflicts are generated, at least in part, by the clashing religious and historical narratives held by opposing groups; the cognitive short-cuts employing metaphor by which citizens make sense of politics; the need for ...
The Face and Faciality in Medieval French Literature, 1170-1390
Modern theoretical approaches throw new light on the concepts of face and faciality in the Roman de la Rose and other French texts from the Middle Ages.
Kinesic Humor
Literature is one of the richest sources of information concerning the ways in which human beings play with cognition. Human cognition is grounded in the ability to feel, perceive, and move. Kinesic Humor examines literary works written in different languages and various historical periods, in which the cognitive processing of gestures and kinesic interactions trigger humorous effects. By bringing together literary studies, cognitive studies, gesturestudies, and humor studies, this book offers an original perspective on literary artworks such as Chrétien de Troyes' Yvain, Milton's Paradise Lost, Cervantes' Don Quixote, Rousseau's Confessions, Sterne's Tristram Shandy, and Stendhal's Le Rouge et le Noir.
Shakespearean Ethics in Extremity
Shakespearean Ethics in Extremity addresses forms of ethical experience on the Shakespearean stage. Early modern theater traffics in the vicarious experience of ethics, often ethics in some extreme or impossible circumstance. It does so not by parading concepts across the stage or ventriloquizing ideas from the philosophical tradition but by bringing to life stories and characters and worlds, by crafting scenes and moments of great emotional and cognitive intensity. What does it feel like to be enjoined to avenge your father's murder? What is it like to banish your daughter or disavow your community? To murder? James Kearney contends that Shakespearean theater, fundamentally oriented to the ...
Car Secrets101
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Moving Bodies
Increasingly we have come to live in our heads, leaving our bodies behind. The consequences have been far-reaching, of which cognitive theory has warned us, advocating a 'return to the body.' This book employs several case studies-kings performing in ballets, sea captains dancing with natives, nationalists engaged in gymnastics exercises-to demonstrate what has been lost and what could be gained by a more embodied approach to living, to history. These curious movements were ways to be, to think, to know, to imagine, and to will. They highlight the limits of historical explanations focusing on cultural factors and question currently fashionable 'cultural' and 'post-modern' perspectives. Bodies, cognitive theory tells us, are the same regardless of historical context, and they engage in the same intentional activities. Returning to our bodies and their movements enables us not only to explain historical actions anew, but also to understand ourselves better.
