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First multi-year cumulation covers six years: 1965-70.
This book explores womena (TM)s experiences of pilgrimage in Latin Christendom between 1300 and 1500 C.E. Later medieval authors harbored grave doubts about womena (TM)s mobility; literary images of mobile women commonly accused them of lust, pride, greed, and deceit. Yet real women commonly engaged in pilgrimage in a variety of forms, both physical and spiritual, voluntary and compulsory, and to locations nearby and distant. Acting within both practical and social constraints, such women helped to construct more positive interpretations of their desire to travel and of their experiences as pilgrims. Regardless of how their travel was interpreted, those women who succeeded in becoming pilgrims offer us a rare glimpse of ordinary women taking on extraordinary religious and social authority.
Guerry's Essay on the Moral Statistics of France was among the earliest empirical studies in sociology and criminology. This translation makes the work available for the first time in English. He used data from a variety of sources, most notably the newly-available compilation of criminal justice statistics collected by the French Ministry of Justice. Within the pages of his essay, the reader will find systematic and sophisticated analyses of crime, suicide, education, wealth and poverty, illegitimacy, prostitution, infanticide, military desertion, charitable giving, and other issues of his day (and ours). Guerry's far-reaching analysis exhibits awareness of methodological issues analysts of...
This book reexamines the place of Algeria in this history and to consider the manner in which the colonial past has seeped more generally from the conscious European memory. At the same time, contemporary race and politics in Europe can only be fully understood in conjunction with knowlege of these backgrounds and it requires that a different view of the way in which the imperialist experience has been an instrumental influence on perceptions taken.
This study explains how images in the Tapestry that are generally dismissed as purely decorative, random, or historically mistaken are in fact none of these, but meaningful devices observable in other medieval works.
This study details the secret, subversive and sustaining Anglo-Saxon messages encoded in a work of art that purportedly celebrates the Norman French conquest of England. This is a pioneering perspective that no other scholar has brought to the Tapestry.
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