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Freedom Made Manifest explicates Rahner’s theology of freedom by elucidating its configuration and sources. Much of its inquiry centers on the fundamental option: each human person’s eternal decision made, paradoxically, in time, as a definitive answer to God’s personally-tailored call to salvation. This idea stems from three principal sources: Catholic conversations with transcendental-idealist philosophy, penitential theology and practice, and Ignatian spirituality. Rahner’s unique redeployment of these sources inflects the fundamental option with theologies of concupiscence, mercy and forgiveness (especially as ecclesially mediated), and devotion to Jesus Christ. Awareness of these inflections can show how Rahner’s theology of freedom may assist in theological reflection on freedom’s susceptibility to injury and trauma.
Pentecostalism, one of the fastest growing global religious movements, counts Latine people among its earliest adopters. Drawing on US-based and migrant traditions, Latine Pentecostals today continue to reinvent themselves in creative and adaptive ways. While Pentecostalism initially drew attention for its ecstatic practices, participants maintain a spirituality of deep interiority that has sustained Latine Pentecostals in the borderlands for generations. When the Spirit Is Your Inheritance explores Latino Pentecostalism from an intergenerational, insider perspective. As a sociologist born and raised in Latino Pentecostalism, Jonathan Calvillo curates an autoethnographic journey through the ...
This Handbook offers a state-of-the-art summary of scholarship on Jonathan Edwards by a diverse, international, and inter-disciplinary group of active Edwards scholars.
Andreas Loewe and Katherine Firth elucidate Luther’s theory and practice of the arts to reach audiences and convince them of his Reformation message using a range of strategies, including music, images and drama.
Protestants on Screen explores the Protestant contributions to American and European film from the silent era to the present day. The authors analyze how Protestant filmmakers, beliefs, theology, symbols, sensibilities, and cultural patterns have shaped the history of film. Challenging the stereotype of Protestants as world-denouncing-and-defying puritans and iconoclasts who stood in the way of film's maturation as an art, the authors contend that Protestants were among the key catalysts in the origins and development of film, bringing an identifiably Protestant aesthetic to the medium. The essays in this volume track key Protestant themes like faith and doubt, sin and depravity, biblical literalism, personal conversion and personal redemption, holiness and sanctification, moralism and pietism, Providence and secularism, apocalypticism, righteousness and justice, religion and race, the priesthood of all believers and its offshoots-democratization and individualism. Protestants, the essays in this volume demonstrate, helped birth and shape the film industry and harness the power of motion pictures for spiritual instruction, edification, and cultural influence.
The result of a collaborative, multiyear project, this groundbreaking book explores the interpretive worlds that inform religious practice and derive from sensory phenomena. Under the rubric of "making sense," the studies assembled here ask, How have people used and valued sensory data? How have they shaped their material and immaterial worlds to encourage or discourage certain kinds or patterns of sensory experience? How have they framed the sensual capacities of images and objects to license a range of behaviors, including iconoclasm, censorship, and accusations of blasphemy or sacrilege? Exposing the dematerialization of religion embedded in secularization theory, editor Sally Promey proposes a fundamental reorientation in understanding the personal, social, political, and cultural work accomplished in religion’s sensory and material practice. Sensational Religion refocuses scholarly attention on the robust material entanglements often discounted by modernity’s metaphysic and on their inextricable connections to human bodies, behaviors, affects, and beliefs.
Among his many accomplishments, Jonathan Edwards was an effective mentor who trained many leaders for the church in colonial America, but his pastoral work is often overlooked. Rhys S. Bezzant investigates the background, method, theological rationale, and legacy of his mentoring ministry. Edwards did what mentors normally do--he met with individuals to discuss ideas and grow in skills. But Bezzant shows that Edwards undertook these activities in a distinctly modern or affective key. His correspondence is written in an informal style; his understanding of friendship and conversation takes up the conventions of the great metropolitan cities of Europe. His pedagogical commitments are surprisin...
Sense of the Possible is for those interested in learning about the intersection of Christian theology and imagination. Written from the assumption that imagination is deeply connected to the Christian work for liberation and human flourishing, this book is an energizing introduction to the ways in which theologians have thought about the powerful human capacity to envision a future that has not yet come. Containing perspectives from scripture, theology, philosophy, and congregational studies, this text is an excellent way to explore how it is that imagination can be part of a faithful Christian life. Each chapter comes with recommended readings and discussion questions that can be used in churches or classrooms.
Rituals can provoke or escalate conflict, but they can also mediate it and although conflict is a normal aspect of human life, mass media technologies are changing the dynamics of conflict and shaping strategies for deploying rituals. This collection of essays emerged from a two-year project based on collaboration between the Faculty of Religious Studies at Radboud University Nijmegen in the Netherlands and the Ritual Dynamics Collaborative Research Center at the University of Heidelberg in Germany. An interdisciplinary team of twenty-four scholars locates, describes, and explores cases in which media-driven rituals or ritually saturated media instigate, disseminate, or escalate conflict. Each multi-authored chapter is built around global and local examples of ritualized, mediatized conflict. The book's central question is: "When ritual and media interact (either by the mediatizing of ritual or by the ritualizing of media), how do the patterns of conflict change?"
The author examines the social and political meaning of divine sonship in the Roman Empire. He analyzes the conceptual framework within which the term ''son of God'' has traditionally been considered in biblical scholarship. Then, through engagement with recent scholarship in Roman history, he offers new ways of interpreting the Christian theological metaphors of ''begotten''and ''adoptive'' sonship. He focuses on social practices and political ideology, revealing that scholarship on divine sonship has been especially hampered by mistaken assumptions about adopted sons.