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She can’t let him out of her sight...
‘Amazing chemistry and a hero you’ll fall in love with’ Julie Caplin
It is not surprising that visitors to Blake’s cosmology – the most elaborate in the history of British text and design – often demand a map in the form of a reference book. The entries in this volume benefit from the wide range of historical information made available in recent decades regarding the relationship between Blake’s text and design and his biographical, political, social, and religious contexts. Of particular importance, the entries take account of the re-interpretations of Blake with respect to race, gender, and empire in scholarship influenced by the groundbreaking theories that have arisen since the first half of the twentieth century. The intricate fluidity of Blakeâ€...
The perfect pick me up romcom for fans of Beth O’Leary, Sophie Kinsella and Sophie Ranald!
Welcome to the Beach Reads Book Club. Where love is just a page away... ‘I would run through fire to be part of this kind of bookclub, with books that make us smile and cry and laugh. Never have I seen my view of rom com and beach reads better expressed than in this wonderful book’ Genevieve, reader review
In her study of newly recovered works by British women, Kathryn Freeman traces the literary relationship between women writers and the Asiatic Society of Bengal, otherwise known as the Orientalists. Distinct from their male counterparts of the Romantic period, who tended to mirror the Orientalist distortions of India, women writers like Phebe Gibbes, Elizabeth Hamilton, Sydney Owenson, Mariana Starke, Eliza Fay, Anna Jones, and Maria Jane Jewsbury interrogated these distortions from the foundation of gender. Freeman takes a three-pronged approach, arguing first that in spite of their marked differences, female authors shared a common resistance to the Orientalists’ intellectual genealogy t...
Establishes Blake's controversial, unfinished epic, The Four Zoas, as the culmination of his mythos.
Following on from the success of her first romantic comedy (Too Damn Nice) Kathryn delivers another fun and ditzy heroine - but with a sharp business mind and a heart of gold. Sometimes life just takes the biscuit ... Abby Spencer knows she can come across as an airhead - she talks too much and is a bit of a klutz - but there's more to her than that. Though she sacrificed her career to help raise her sisters, a job interview at biscuit company Crumbs could finally be her chance to shine. That's until she hurries in late wearing a shirt covered in rusk crumbs, courtesy of her baby nephew, and trips over her handbag. Managing director Douglas Faulkner isn't sure what to make of Abby Spencer wi...
"This book refutes the idea that Russia plays a weak hand well in international politics. The book argues instead that Russia under Vladimir Putin's regime may not be as weak as is sometimes thought in the West. It takes a multi-dimensional approach in assessing Russian state power in international relations, going beyond metrics of power like relative strength of the economy, human capital, and size of the military, to also include the policy weight or importance of Russian firms and industries, as well as where geographically, Russian influence has spread globally. The book includes fresh empirical data on the Russian economy, demography and human capital, and conventional military and nuclear weaponry capacities in Russia relative to other great powers like China and the United States. The book argues that realpolitik alone does not explain Russian foreign policy choices under Putin. Rather, Putin's patronal autocratic regime and the need for social stability plays an important role in understanding when and why Russian power is projected in the 21st century"--
In her study of newly recovered works by British women, Kathryn Freeman traces the literary relationship between women writers and the Asiatic Society of Bengal, otherwise known as the Orientalists. Distinct from their male counterparts of the Romantic period, who tended to mirror the Orientalist distortions of India, women writers like Phebe Gibbes, Elizabeth Hamilton, Sydney Owenson, Mariana Starke, Eliza Fay, Anna Jones, and Maria Jane Jewsbury interrogated these distortions from the foundation of gender. Freeman takes a three-pronged approach, arguing first that in spite of their marked differences, female authors shared a common resistance to the Orientalists’ intellectual genealogy t...