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Kiss Your Mother Goodbye The true story of Kathy Walkup and her family Imagine your children going to the movies with a babysitter and not coming home. Imagine losing three of your four children at the hands of a drunk driver. This is the 1979 story of the Walkup family. This is the story of how the parents of four beautiful children lost almost everything and found a way back from the brink of despair and went on to have two more children in spite of their unbelievable loss. The one surviving child made them live for each other and their future. A future that involved reversing a vasectomy while caring for their surviving injured son. Their unshakable faith prevailed. If you must drink and drive, please kiss your mother goodbye.
James Sullivan presents a brief history of American poetry broadsides from the seventeenth through twentieth centuries. He then explores the extensive use of the broadside during one era, the 1960s, showing how it refigured the poetry of Gwendolyn Brooks, Robert Lowell, Allen Ginsberg, and others and situating it for specific cultural uses within the social and political struggles of the times. Sullivan's introduction lays out the project's theoretical groundwork in the cultural studies movement and surveys the history of the broadside in North America since the advent of printing.
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The theory and practice of networked art and activism, including mail art, sound art, telematic art, fax art, Fluxus, and assemblings. Networked collaborations of artists did not begin on the Internet. In this multidisciplinary look at the practice of art that takes place across a distance--geographical, temporal, or emotional--theorists and practitioners examine the ways that art, activism, and media fundamentally reconfigured each other in experimental networked projects of the 1970s and 1980s. By providing a context for this work--showing that it was shaped by varying mixes of social relations, cultural strategies, and political and aesthetic concerns-- At a Distance effectively refutes t...
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In 1862 Dante Gabriel Rossetti buried his unpublished poems in his dead wife's grave; in 1869 he dug them up and published them. This innovative cultural history, drawing on emerging disciplines of book history and death studies, explores the many strange stories about the deaths of Romantic and Victorian poets, and the 'last words', books, relics, memorials, and objects that survived them.