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"I never talk to nobody 'bout this" was the response of one aged African American when asked by a Works Project Administration field worker to share memories of his life in slavery and after emancipation. He and other ex-slaves were uncomfortable with the memories of a time when black and white lives were interwoven through human bondage. Yet the WPA field workers overcame the old people's reticence, and American West scholars T. Lindsay Baker and Julie P. Baker have collected all the known WPA Oklahoma "slave narratives" in this volume for the first time - including fourteen never published before. Their careful editorial notes detail what is known about the interviewers and the process of preparing the narratives.
Includes the decisions of the Supreme Courts of Alabama, Florida, Louisiana, and Mississippi, the Appellate Courts of Alabama and, Sept. 1928/Jan. 1929-Jan./Mar. 1941, the Courts of Appeal of Louisiana.
Confounding the Color Line is an essential, interdisciplinary introduction to the myriad relationships forged for centuries between Indians and Blacks in North America.øSince the days of slavery, the lives and destinies of Indians and Blacks have been entwined-thrown together through circumstance, institutional design, or personal choice. Cultural sharing and intermarriage have resulted in complex identities for some members of Indian and Black communities today. The contributors to this volume examine the origins, history, various manifestations, and long-term consequences of the different connections that have been established between Indians and Blacks. Stimulating examples of a range of...
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Risky Living is a fascinating collection of candid and intimate conversations with forty-five men and women who describe, in gripping detail, how physical risk is a familiar companion in their working lives, and how they deal with it. This is the first work of oral history to focus solely on people who work dangerous jobs. In the great tradition of books revealing the real lives of working men and women pioneered by Studs Terkel, Risky Living takes readers: Inside Antron Brown’s car as he launches his top fuel drag racer from zero to over 300 miles per hour Alongside world champion bull rider Justin McBride as he attempts to stay atop a 1,600-pound beast Next to storm chasing videographer ...
Jobs That Could Kill You is a fascinating collection of candid and intimate conversations with forty-two men and women who describe in gripping detail how physical risk is a familiar companion in their working lives, and how they deal with it. In the oral history tradition of Studs Terkel, Jobs That Could Kill You will introduce you to: - Antron Brown as he launches his top fuel drag racer from zero to over 300 miles an hour in less than four seconds. - Justin McBride talking about the guts it takes to stay atop a raging 1,600-pound bull. - Jeff Gammons as he painfully remembers the terrifying screams of Hurricane Katrina drowning victims. - Cameron Begbie as he recalls fighting hand-to-hand against insurgents in Fallujah, Iraq. - Crab fisherman Matt Corriere, who describes the harrowing night when he was the sole survivor after the sinking of the fishing vessel Massacre Bay in icy Alaskan waters. - And dozens more! Jobs That Could Kill You reveals who these daring people are, what they will endure for a paycheck, and how they feel about their jobs. They speak for themselves, in their own words.
In the first book-length study of Arkansas slavery in more than sixty years, A Weary Land offers a glimpse of enslaved life on the South’s western margins, focusing on the intersections of land use and agriculture within the daily life and work of bonded Black Arkansans. As they cleared trees, cultivated crops, and tended livestock on the southern frontier, Arkansas’s enslaved farmers connected culture and nature, creating their own meanings of space, place, and freedom. Kelly Houston Jones analyzes how the arrival of enslaved men and women as an imprisoned workforce changed the meaning of Arkansas’s acreage, while their labor transformed its landscape. They made the most of their surroundings despite the brutality and increasing labor demands of the “second slavery”—the increasingly harsh phase of American chattel bondage fueled by cotton cultivation in the Old Southwest. Jones contends that enslaved Arkansans were able to repurpose their experiences with agricultural labor, rural life, and the natural world to craft a sense of freedom rooted in the ability to own land, the power to control their own movement, and the right to use the landscape as they saw fit.