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A young woman forms her own idea of feminine sexuality while skinny-dipping with her best friend's mother during a thunderstorm. A naive bride returns to her beloved Ontario farm country and, after an encounter with a young female beekeeper, suddenly sees her husband in a sobering new light. Under pretences, a rural doctor returns for her childhood friend, but finds the women in her new life have only a very specific use for her. A middle-aged woman facing the devastating end of a friendship as well as her last chance at childbirth, flees North only to be confronted with the complexities of life in the Yukon. The women of Equipoise struggle to find their positionality in life in relation to the women around them. They are also contoured by their geographies, caught between North and South, East and West, childhood home and adulthood home. They struggle to maintain a balance within the tension of their opposing female roles, landscapes, friendships, rivalries, victories, and catastrophes, always vigourously seeking equipoise.
This one-of-a-kind literary and conceptual experiment does anthropology differently—in all the wrong ways. No field trips. No other cultures. This is a personal journey within anthropology itself, and a kind of love story. A critical, candid, hilarious take on the culture of academia and, ultimately, contemporary society. Stuck Moving follows a professor affected by bipolar disorder, drug addiction, and a stalled career who searches for meaning and purpose within a sanctimonious discipline and a society in shambles. It takes aim at the ableist conceit that anthropologists are outside observers studying a messy world. The lens of analysis is reversed to expose the backstage of academic work and life, and the unbecoming self behind scholarship. Blending cultural studies, psychoanalysis, comedy, screenwriting, music lyrics, and poetry, Stuck Moving abandons anthropology’s rigid genre conventions, suffocating solemnity, and enduring colonial model of extractive knowledge production. By satirizing the discipline’s function as a culture resource for global health and the neoliberal university, this book unsettles anthropology’s hopeful claims about its own role in social change.
"There's a guy. He was hit by a truck." On a rainy November day, Mia Hayes' husband left for work on his Vespa. Normally, she would have driven him, but Mia was waiting on a phone call with an editor and didn't have time. She never saw that caring, loving version of her husband again. The fallout from his accident--Mia's guilt and her husband's PTSD, memory loss, and depression--consumed their lives over the next five years as her laid-back husband changed into an angry man with few memories of their past. Desperate to hold her fragile family together, Mia ignored her own unraveling and plunged into bipolar depression. As she searched for answers to unanswerable questions, Mia moved her fami...
"How lovely to discover a book on the craft of writing that is also fun to read . . . Alison asserts that the best stories follow patterns in nature, and by defining these new styles she offers writers the freedom to explore but with enough guidance to thrive." ―Maris Kreizman, Vulture A Publishers Weekly Best Book of 2019 | A Poets & Writers Best Books for Writers As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel― one we’re actually told to follow―and that’s the dramatic arc: a situation arises, grows tense, reaches a peak, subsides . . . ...
Fake it so Real takes on the fallout from a punk-rock lifestyle--the future of "no future"--and its effect on the subsequent generations of one family. In June of 1983, Gwen, a gnarly Nancy Spungen lookalike, meets Damian, the enigmatic leader of a punk band. Seven years and two unplanned pregnancies later, Damian abandons Gwen, leaving her to raise their two daughters, Sara and Meg, on her own. The fourteen stories that make up this book usher Gwen and her daughters through five decades, haunted by Damian's ghost. Fuelled by vodka and scrappy determination, Gwen balances a responsibility to her daughters with her narcissistic, self-destructive tendencies. Sara and Meg scramble through adole...
As Freddy gazes at the majestic river gushing past him in the depths of a Scottish winter, he's ready to jump in and end his life. But what happens next is not what Freddy expects. From the moment he enters the river, Freddy starts a journey which is more beautiful, funny, and mysterious than he could have imagined. And through this journey Freddy's story becomes interweaved with a cast of unforgettable characters who are equally lost and in search of answers. Eventually they all unite in their quest for an answer to the biggest question of them all: will the river take them where they want to go? In the tradition of inspirational works of fiction like The Alchemist and Life of Pi, Secrets of a River Swimmer is at once a profound exploration into living with meaning and an affecting story of people on the cusp of change.
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'Sometimes - not often - a book comes along that feels like Christmas. Philip Hensher's timely, but timeless, selection of the best short stories from the past 20 years is that kind of book. His introduction is as enriching as anything that has been published this year' Sunday Times A spectacular treasury of the best British short stories published in the last twenty years We are living in a particularly rich period for British short stories. Despite the relative lack of places in which they can be published, the challenge the medium represents has attracted a host of remarkable, subversive, entertaining and innovative writers. Philip Hensher, following the success of his definitive Penguin Book of British Short Stories, has scoured a vast trove of material and chosen thirty great stories for this new volume of works written between 1997 and the present day.
Named a New York Times Notable Book Winner of the PEN/Book-of-the-Month Club Translation Prize Winner of the Anne Frank Prize These shattering stories describe the lives of ordinary people as they are compelled to do the unimaginable: a couple who must decide what to do with their five-year-old daughter as the Gestapo come to march them out of town; a wife whose safety depends on her acquiescence in her husband's love affair; a girl who must pay a grim price for an Aryan identity card.
The CVC Anthology series features each year's finalists from the annual $15,000 Carter V. Cooper (CVC) Short Fiction competition, held in memory of Carter Cooper ($10,000 for the best story by an emerging writer, and $5,000 for the best story by a writer at any career point). From writer, artist, philanthropist - and mother of Carter - Gloria Vanderbilt, who began one of the largest literary prizes for emerging writers in Canada: "I am proud and thrilled that all these wonderful writers are presented in the CVC Anthology. Carter, my son, Anderson Cooper's brother, was just 23 when he died in 1988. He was a promising editor, writer, and, from the time he was a small child, a voracious reader. Carter came from a family of storytellers, and stories were a guide which helped him discover the world. Though I, and those who loved Carter, still hear his voice in our heads and in our hearts, my son's voice was silenced long ago. I hope this prize helps other writers find their voice, and through inclusion in the annual anthology helps them touch others' lives with the mystery and magic of the written word."