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From the Cellar to the Attic--
Text by Philippe Van Cauteren, Yuko Hasegawa.
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Jan Fabre
Jan Fabre, born in Antwerp in 1958, is one of the most innovative and versatile artists of his generation. Over the past 30 years, he has produced work as a visual artist, performance artist, director and author, expanding the horizons of every genre. Homo Faber is the first comprehensive overview to deal with all aspects of Fabre's visual art. It discusses key themes and ideas in his performance, drawing, sculpture, installation, photography and film work, including the concept of metamorphosis, his use of human bones and echoes of the Old Masters in his work. This volume covers the whole of Fabre's artistic career, starting from works of the 1970s and 80s, when he exhibited himself in a shop window and staged performances in which he burned spectators' money and leading up to his most recent sculptural still lifes of owls' heads and Pushpin Men.
la rivista di engramma 2016 132-133
Raccolta dei numeri di 'La Rivista di Engramma' (www.engramma.it) 132-133 dell'anno 2016. Raccolta della rivista di engramma del Centro studi classicA | Iuav, laboratorio di ricerche costituito da studiosi di diversa formazione e da giovani ricercatori, coordinato da Monica Centanni. Al centro delle ricerche della rivista è la tradizione classica nella cultura occidentale: persistenze, riprese, nuove interpretazioni di forme, temi e motivi dell’arte, dell’architettura e della letteratura antica, nell’età medievale, rinascimentale, moderna e contemporanea.
Transgression
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L'artiste contemporain et la nature
Une enquête consacrée à la création contemporaine européenne au sein des lieux d'art " naturels " ou " semi-naturels ", dans les parcs, les jardins, le long des sentiers, des berges, en pleins champs ou au coeur des forêts. Quelque 70 lieux répertoriés en Europe. Cette enquête est introduite par une présentation historique des notions d'earth art, land art, art environnemental
Art à mort
Voyage au coeur de la production artistique contemporaine, où une tentative d'expliquer la violence contenue dans les oeuvres est entamée à travers le récit des entretiens que Virginie Luc a avec des artistes : Paul McCarthy, Orlan, David Lynch, Marc Quinn, Maurizio Cattelan, etc. Chaque entretien est introduit par un portrait photographique de l'artiste.
