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Are We Home Yet?
Spanning the years from 1935 to 2010, Are We Home Yet? is the moving and funny story of a girl and her mother. As a girl, Katy accidentally discovers her mother is earning money as a sex worker at the family home, rupturing their bond. As an adult, Katy contends with grief and mental health challenges before she and her mother attempt to heal their relationship. From Canada, to Leeds and Jamaica, and exploring shame, immigration and class, the pair share their stories but struggle to understand each other's choices in a fast-changing world. By revealing their truths, can these two strong women call a truce on their hostilities and overcome the oppressive ghosts of the past?
All Us Sinners
'Powerful, provocative, beautiful and unforgettable. All Us Sinners is a chilling, moving, majestic debut' --- CHRIS WHITAKER Leeds, 1977. A chill lies over the city: sex workers are being murdered by a serial killer they are calling the 'Ripper', the streets creeping with fear. Tough, sharp, but tender, Maureen runs Rio's, a clean, discreet brothel in the city. She's a good boss who takes great care of her workers - especially her best girls, Bev and Anette. The Ripper may be terrifying girls who work the street, but at Rio's the girls seem safer. But when Bev's sweet-natured son is found beaten to death, a figure from Maureen's past, DS Mick Hunniford, shows up at her door. Does his arriva...
Tangled Roots
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You are Not Invited
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Katy's Legacy
A story that drew me in and gave me a tangible, personal landscape to explore spiritual principles as experienced in the lives of the characters in the booksimple lives well lived that could easily apply to any of us. Annas story is a journey and a legacy of love, the most important and only thing any of us leave behind. Christopher Tims, renegade mystic and founder of The Order of the Blue Star Maybe all of life is a story, Annas father says to her in one of their early birthday talks in a mountain meadow, a place that becomes both setting and metaphor. How does one tell an engaging tale of several generations without including hundreds of details about each era? Katys Legacy is a demonstra...
The Spinning House
Cambridge University is renowned worldwide for its academic prowess, but below the surface lurks a murky past. During the nineteenth century, the university became infamous for its dogged determination to cling to ancient laws allowing it to arrest and imprison unchaperoned women found walking the streets of Cambridge after dark. Mistakes were made. Violence and legal action followed until finally an Act of Parliament put an end to the university's jurisdiction over the women of Cambridge.
How to Murder Your Life
"From Cat Marnell, 'New York's enfant terrible' (The Telegraph), a ... memoir of prescription drug addiction and self-sabotage, set in the glamorous world of fashion magazines and downtown nightclubs"--
The Place for Me: Stories About the Windrush Gener Ation
Explore the lives of the Windrush Generation in this full-colour anthology. With a foreword from Baroness Floella Benjamin, DBE. Drawn from the Black Cultural Archives, this book presents 12 stories inspired by the real people of the Windrush Generation.
Postcolonial Youth in Contemporary British Fiction
The concepts of 'youth' and the 'postcolonial' both inhabit a liminal locus where new ways of being in the world are rehearsed and struggle for recognition against the impositions of dominant power structures. Departing from this premise, the present volume focuses on the experience of postcolonial youngsters in contemporary Britain as rendered in fiction, thus envisioning the postcolonial as a site of fruitful and potentially transformative friction between different identitary variables or sociocultural interpellations. In so doing, this volume provides varied evidence of the ability of literature—and of the short story genre, in particular—to represent and swiftly respond to a rapidly changing world as well as to the new socio-cultural realities and conflicts affecting our current global order and the generations to come. Contributors are: Isabel M. Andrés-Cuevas, Isabel Carrera-Suárez, Claire Chambers, Blanka Grzegorczyk, Bettina Jansen, Indrani Karmakar, Carmen Lara-Rallo, Laura María Lojo-Rodríguez, Noemí Pereira-Ares, Gérald Préher, Susanne Reichl, Carla Rodríguez-González, Jorge Sacido-Romero, Karima Thomas and Laura Torres-Zúñiga.
