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Fanatical about protecting his wealth, the paranoid Harpagon (Griff Rhys Jones) suspects all of trying to filch his fortune, and will go to any length to protect it. A matchmaker motivated only by money, he sets his sights on wealthy spouses for his children, so his riches are safe from their grubby hands. As true feelings and identities are revealed will Harpagon allow his children to follow their heart, or will his love of gold prove all-consuming? Passion and purse strings go head to head in this rip roaring comedy, by France's greatest dramatist.
This book is a collection of images from UK based artist YTAK aka Katy Watts. YTAK aka Katy Watts is a self-taught artist from the UK, though she has had some art school training. Katy creates colourful and bright art. Included in her work are many imaginary creatures and townscapes. It is her hope that the viewer can 'step into' these works, leaving behind everyday worries and anxieties. That for a brief moment they can be transported to a world of colour and possibilities. Katy likes to keep her work playful. Drawing is central to Katy's work. She likes to combine traditional media with digital drawing software. Katy is inspired by lots of things, mostly by other artists. She also loves music and finds a huge amount of inspiration there. Generally though, she finds people themselves to be inspiring and interesting.
_______________ WINNER OF THE YOTO CARNEGIE MEDAL 2022 WINNER OF THE YOTO CARNEGIE SHADOWERS' CHOICE AWARD 2022 _______________ 'A very special new addition to the shelf and deserves classic status' - The Times Children's Book of the Week 'A modern classic ... relevant, comforting and life-affirming' - Scotsman 'The perfect Autumn read' - Primary Teacher Bookshelf _______________ A classic in the making for anyone who ever longed to be WILD. October and her dad live in the woods. They know the trees and the rocks and the lake and stars like best friends. They live in the woods and they are wild. And that's the way it is. Until the year October turns eleven. That's the year October rescues a baby owl. It's the year Dad falls out of the biggest tree in their woods. The year the woman who calls herself October's mother comes back. The year everything changes. Written in Katya Balen's heart-stoppingly beautiful style, this book is a feast for the senses. And, as October fights to find the space to be wild in the whirling chaos of the world beyond the woods, it is also a feast for the soul.
'Mesmerising . . . an extraordinary piece of writing.' - The i paper 'A layer cake of truth, pain and wisdom iced with charm. I loved it.' - Sue Perkins 'Painfully raw and incredibly funny' - Simon Amstell 'A book that offers many pleasures . . . hectically funny, eloquently angry.' - TLS 'Katy sees the world like no one else and deciphers it with extraordinary beauty. Delicacy took my breath away' - Lolly Adefope 'Heartbreaking, ridiculously clever and laugh out loud funny. One of the best books on trauma I've ever read' - Scarlett Curtis 'Fabulous story-telling and completely delicious writing' - Cariad Lloyd, host of Griefcast 'Katy is a stunning writer, seamlessly moving between bitingly...
'A total joy' Laura Kay, author of The Split 'Hilarious and unexpectedly moving' Richard Roper, author of Something to Live For 'Brilliantly written, properly funny and poignant, and such a great takedown of the more absurd aspects of life in the 21st century.' Tom Ellen, author of All About Us 'A delightful and unique take on travel writing.' Katy Wix, author of Delicacy The setting: Europe. A continent overrun by tourism, where tapas-crawlers cross paths with machine-gun-wielding cops, graffiti tour guides collide with anti-gentrification protestors and, in one classy mountain retreat, a bored pâtissier teaches mindful croissant-making to a bereaved luggage designer. Witness to this outla...
'This book will often hurt. It will make you angry, it will make you feel. My hope is that this hurt, this anger and these feelings will move you to change the way we talk about surviving sexual violence.' Sexual violence is an epidemic happening across all intersections of society, impacting every one of us. In the aftermath of the #MeToo and Time's Up movements, a cultural conversation has been ignited about the prevalence, immediate impact and long-term effects that sexual violence has on people. It has begun conversations on sexism, misogyny, consent and trauma. From the entertainment industry to governments; from India to the USA, people are beginning to listen to the pain survivors hav...
From the star of the hit Netflix series The Duchess comes a brilliantly funny, fiercely honest, and dangerously astute handbook of life instruction. "I’ve come to accept that being audacious is a gift I can’t escape." People "know" my on-stage comedy persona or my scripted ballsy characters and wrongly assume that I must stomp around all day in designer dresses eviscerating those who dare to cross my path. But mostly, I’m just sat eating pickles and being nice to some dogs. Whatever strangers think of me is fine with me. How audacious is that? I can always take a joke, I don’t waste time worrying about things I can’t control. I embrace the reality that you just can’t please every...
"Originally published in Great Britain in February 2021 by Bantam Press"--Copyright page.
Jane is trying. She's been trying for a baby, with increasing desperation as her thirties sail by. Now, she's trying to make a new start back home with her overprotective, charades-obsessed parents - having left her career and cheating fiancé behind in London. And, she's trying to convince herself she didn't leave the front door unlocked, or the gas on. (Jane's not anxious. She just wants to make one hundred percent sure that nothing bad's going to happen to her. EVER.) With an increasing load on her plate, friends and family who think if she only listens to them she'll have a perfect life, and a brain which questions every decision she's ever made, can Jane conquer her demons and step forward on her own?
A BBC TWO BETWEEN THE COVERS BOOK CLUB PICK After a car accident Jarred discovers he’ll never walk again. Confined to a ‘giant roller-skate’, he finds himself with neither money nor job, a shoplifting habit, an addiction to painkillers and strangers treating him like he’s an idiot. Worse still, he’s forced to live back home with his estranged father. Trying to piece himself together, Jarred comes to realise that things don’t have to stay broken after all. The Coward is about hurt and forgiveness, how the world treats disabled people, and how we write and rewrite the stories we tell ourselves about our lives – and try to find a happy ending.