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Arguably the most brutal crime committed by the Japanese military during the Asia-Pacific war was the forced mobilization of 50,000 to 200,000 Asian women to military brothels to sexually serve Japanese soldiers. The majority of these women died, unable to survive the ordeal. Those survivors who came back home kept silent about their brutal experiences for about fifty years. In the late 1980s, the women’s movement in South Korea helped start the redress movement for the victims, encouraging many survivors to come forward to tell what happened to them. With these testimonies, the redress movement gained strong support from the UN, the United States, and other Western countries. Korean “Comfort Women” synthesizes the previous major findings about Japanese military sexual slavery and legal recommendations, and provides new findings about the issues “comfort women” faced for an English-language audience. It also examines the transnational redress movement, revealing that the Japanese government has tried to conceal the crime of sexual slavery and to resolve the women’s human rights issue with diplomacy and economic power.
Die Elektrodynamik von Festkörpern ist ein interdisziplinär angelegtes Thema, zu dem elektromagnetische Phänomene, mechanische Bewegungen und Verformungen sowie Wärmeleitungen in festen Stoffen gleichermaßen beitragen. Dieses einführende und dennoch umfassende Lehrbuch zur Theorie der Elektrodynamik und Halbleitertechnik richtet sich an Physiker ebenso wie an Elektrotechniker, Maschinenbauer und Studenten der einschlägigen Fachrichtungen. (08/99)
Presents authoritative state-of-the-art discussions of the key issues pertinent to transdermal drug delivery, examining those topics necessary to enable a critical evaluation of a drug candidate's potential to be delivered across the skin; from physical chemistry and assessment of drug permeability to available enhancement technolgies, to regulator
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The historic encounter around 1911 between the composer Arnold Schönberg and the painter Wassily Kandinsky occurred at a moment when the first wild revolts against traditional art, Dada and Futurism, had just manifested themselves. Independently of those sometimes spectacular activities, both Schönberg and Kandinsky had already concluded that the material and the compositional methods they had relied on in the past were exhausted and did not satisfy the development of their artistic ideas. Both artists had already submitted their modes of production to a critical analysis which resulted in Schonberg's Theory of Harmony and Kandinsky's Concerning the Spiritual in Art , both of 1911 - indeed the two artists had already been putting their self-criticism into practice for some time. In Schönberg's case this led to breaking with tonality; Kandinsky effected the transition to abstract painting. This book is a collection of the papers presented at the conference on Schönberg and Kandin
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