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Offers the most detailed account yet of the early works of these four minimalist composers.
Unravelling the genealogies and permutations of conspiracist worldviews, this work shows how this web of urban legends has spread among sub-cultures on the Internet and through mass media, and how this phenomenon relates to larger changes in American culture.
The Dictionary of American Classical Composers covers over 650 composers active from the 18th century to today. Covering all classical styles, it offers the most comprehensive overview of key composers in the United States available. Entries include basic biographical information and critical analysis of each composer's key works and ideas. Entries also include worklists and bibliographic information. Whenever possible, the entries will have been checked by the composers themselves to assure greatest possible accuracy. This new edition, completely updated and expanded from the 1984 edition, also includes over 200 historic photographs.
Described by music critic Alex Ross as "the most original musical thinker of our time" and having received innumerable accolades in a career spanning over fifty years, composer Steve Reich is considered by many to be America's greatest contemporary composer. His music, however, remains largely underresearched. Rethinking Reich redresses this imbalance, providing a space for prominent and emerging scholars to reassess the composer's contribution to music in the twentieth century. Featuring fourteen tightly focused and multifarious essays on various aspects of Reich's work--ranging from analytical, aesthetic, and archival studies to sociocultural, philosophical, and ethnomusicological reflections--this edited volume reveals new insights, including those enabled by access to the growing Steve Reich Collection at the Paul Sacher Foundation archive, the premier institution for primary research on twentieth-century and contemporary classical music. This volume takes on the timely task of challenging the hegemony of Reich's own articulate and convincing discourses on his music, as found in his Writings on Music (OUP, 2002), and breaks new ground in the broader field of minimalism studies.
Erich Raeder led the German navy from 1928 to 1943, a period that included the last turbulent years of the Weimar Republic, the rise of Hitler, and World War II. Yet until now, no full-length biography has been written about this extraordinary naval figure. While most historians have viewed Raeder as a product of the Wilhelmian era and heir to Admiral von Tirpitz's sea power ideology, this work clearly demonstrates Raeder's affinity with Hitler's fascism. Keith Bird refutes Admiral Raeder's own argument that his navy was nonpolitical and independent; Bird shows him to be a political activist and the architect of German naval policy. Drawing on archival resources and the rich scholarship of G...
When John Smyth organized the first Baptist church, he wanted to establish the New Testament church; believer's baptism was the missing link. Baptists of subsequent eras often continued the search to embody "New Testament Christianity." Unique to surveys of Baptist life, Doug Weaver highlights this restorationist theme as a way to understand Baptist identity. Weaver does not force the theme, but the "search" is ever present. It is found in the insistence upon believer's baptism, but also in examples like the Sabbath worship of Seventh Day Baptists, the "nine rites" of colonial Separate Baptists, the women preachers of Free Will Baptists, the "trail of blood" of Landmarkism, the social gospel...
A leading biblical scholar offers grounding in the interpretation of Acts that draws heavily on ancient backgrounds and attends to the theological nature of the texts.
A world-renowned British historian recounts the actions of one of Hitler’s most elite armor units in one of World War II’s most horrific months. June 1944, the month of the D-Day landings carried out by Allied forces in Normandy, France. Germany’s 2nd SS Panzer Division, one of Adolf Hitler’s most elite armor units, had recently been pulled from the Eastern Front and relocated to France in order to regroup, recruit more troops, and restock equipment. With Allied forces suddenly on European ground, the division—Das Reich—was called up to counter the invasion. Its march northward to the shores of Normandy, 15,000 men strong, would become infamous as a tale of unparalleled brutality...