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In Search of the Never-Never
Mickey Dewar made a profound contribution to the history of the Northern Territory, which she performed across many genres. She produced high‑quality, memorable and multi-sensory histories, including the Cyclone Tracy exhibition at the Museum and Art Gallery of the Northern Territory and the reinterpretation of Fannie Bay Gaol. Informed by a great love of books, her passion for history was infectious. As well as offering three original chapters that appraise her work, this edited volume republishes her first book, In Search of the Never-Never. In Dewar’s comprehensive and incisive appraisal of the literature of the Northern Territory, she provides brilliant, often amusing insights into the ever-changing representations of a region that has featured so large in the Australian popular imagination
An Introduction to Post-Colonial Theatre
In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.
Decolonizing the Stage
A study of post-colonial drama and theatre. It examines how dramatists from various societies have attempted to fuse the performance idioms of their traditions with the Western dramatic form, demonstrating how the dynamics of syncretic theatrical texts function in performance.
Creating Frames
Provides the first significant social and cultural history of Indigenous theatre across Australia. Creating Frames traces the journey behind a substantial national body of work and its importance in ensuring that Indigenous voices are heard.
Follow the Rabbit-Proof Fence
This extraordinary story of courage and faith is based on the actual experiences of three girls who fled from the repressive life of Moore River Native Settlement, following along the rabbit-proof fence back to their homelands. Assimilationist policy dictated that these girls be taken from their kin and their homes in order to be made white. Settlement life was unbearable with its chains and padlocks, barred windows, hard cold beds, and horrible food. Solitary confinement was doled out as regular punishment. The girls were not even allowed to speak their language. Of all the journeys made since white people set foot on Australian soil, the journey made by these girls born of Aboriginal mothers and white fathers speaks something to everyone.
Dhuuluu-Yala
This overview about publishing Indigenous literature in Australia from the mid-1990s to 2000 includes broader issues that writers need to consider such as engaging with readers and reviewers. Although changes have been made since 2000, the issues identified in this book remain current and to a large extent unresolved.
Global Indigeneities and the Environment
This book is a printed edition of the Special Issue "Global Indigeneities and the Environment" that was published in Humanities
Seeking Racial Justice
The author's personal account of his developing consciousness as a white player in the black theatre of Indigenous Australian affairs and in particular his work with FCAATSI. The book is also a tribute to the diverse Aboriginal and non-Aboriginal individuals and groups who dedicated themselves to the cause from 1938 to 1978.
Aboriginal Black Power and the Rise of the Australian Black Panther Party, 1967-1972
Examining transnational ties between the USA and Australia, this book explores the rise of the Aboriginal Black Power Movement in the 1960s and early 1970s. Aboriginal adaptation of the American Black Power movement paved the way for future forms of radical Aboriginal resistance, including the eventual emergence of the Australian Black Panther Party. Through analysis of archival material, including untouched government records, previously unexamined newspapers and interviews conducted with both Australian and American activists, this book investigates the complex and varied process of developing the Black Power movement in a uniquely Australian context. Providing a social and political account of Australian activism across Victoria, New South Wales and Queensland, the author illustrates the fragmentation of Aboriginal Black Power, marked by its different leaders, protests and propaganda.
Landscape, Place and Culture
This collection of essays takes an interdisciplinary approach to the ecological, social, economic and, in particular, the cultural dimensions of the Australia-India relationship. The essays provide many levels of focus on environment, place and culture. Some evoke appreciation of particular “places,” either in India or Australia. Many explore how literature has treated “landscape,” while some are comparative studies of cultural, historical and political development. The essays arise from a particular gathering of scholars: The East India chapter of the Indian Association for the Study of Australia (IASA) held its inaugural international conference in Kolkata on 22–23 January 2009. ...
