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Building Gotham
These issues of city-building and institutional change involved more than the familiar push and pull of interest groups or battles between bosses, reformers, immigrants, and natives. Revell explores the ways in which technical values - a distinctive civic culture of expertise - helped to reshape ideas of community, generate new centers of public authority, and change the physical landscape of New York City."--Jacket.
Building Gotham
Economists experimented with new approaches to financing urban infrastructure. Architects and planners wrestled with the problems of skyscraper regulation and regional growth. These issues of city-building and institutional change involved more than the familiar push and pull of interest groups or battles between bosses, reformers, immigrants, and natives.
Supreme City
An award-winning historian surveys the astonishing cast of characters who helped turn Manhattan into the world capital of commerce, communication and entertainment --
Planning and Zoning New York City
Two unique events shaped the magnificent unnatural geography of New York City and created its sense of place: the Commissioners' Plan of 1811 and the zoning resolution of 1916. The first imprinted Manhattan with a two-dimensional plan, a rectangular grid defined by broad north-south avenues, multiple east-west cross streets, and by its standard units: blocks of two hundred feet by six hundred to eight hundred feet. The second determined the city's three-dimensional form by restricting uses by district, by limiting the maximum mass of a building allowed on a given site.This book addresses the fundamental challenge facing every American municipality: Can zoning - the basic tool of municipal la...
The Landscape of Modernity
Creating the modern city - Planning for New York City - Real estate values, zoning, density, intervention - Building the vertical city - Empire State Building - Going from home to work - Subways, transit politics - Sweatshop migration - Identity - Little Italy's decline - Jewish neighbourhoods - Cities of light - Street lighting.
The Birth of City Planning in the United States, 1840–1917
Publisher Description
Faith and Foreign Affairs in the American Century
The United States has led the world in almost every way since World War I. In 1941, Life magazine publisher Henry Luce dubbed his country’s preponderant power “the American Century.” His editorial was a statement of fact but also an aspiration for countrymen to unite in promotion of a world order friendly to American interests. Faith and Foreign Affairs in the American Century examines the nature of public involvement in American diplomacy. As a concept decades in the making, the American Century was conceived by those connected through the country’s leading foreign policy think tank, the Council on Foreign Relations. The missionary couple and Washington insiders Francis and Helen Mi...
Ibss: Sociology: 1999
IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge on the social sciences.
My River Chronicles
After journalist Jessica DuLong was laid off from her dot-com job, her life took an unexpected turn. A volunteer day aboard an antique fireboat, the John J. Harvey, led to a job in the engine room, where she found a taste of home she hadn’t realized she was missing. Working with the boat’s finely crafted machinery, on the waters of the storied Hudson, made her wonder what America is losing in our shift away from hands-on work. Her questions crystallized after she and her crew served at Ground Zero, where fireboats provided the only water available to fight blazes. Vivid and immediate, My River Chronicles is a journey with an extraordinary guide—a mechanic’s daughter and Stanford grad...
Slapstick Comedy
From Chaplin’s tramp to the Bathing Beauties, from madcap chases to skyscraper perils, slapstick comedy supplied many of the most enduring icons of American cinema in the silent era. This collection of fourteen essays by prominent film scholars challenges longstanding critical dogma and offers new conceptual frameworks for thinking about silent comedy’s place in film history and American culture. The contributors discuss a broad range of topics including the contested theatrical or cinematic origins of slapstick; the comic spectacle of crazy technology and trick stunts; the filmmakers who shaped the style of early slapstick; and comedy’s implications for theories of film form and spectatorship. This volume is essential reading for anyone seeking to understand the origins and continued importance of a film genre at the heart of American cinema from its earliest days to today.
