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"In Artificial Light: A Narrative Inquiry into the Nature of Abstraction, Immediacy, and other Architectural Fictions, Keith Mitnick - himself an architect and teacher - presents a startlingly vivid personal memoir. Inexorably linked to his highly developed awareness of his surroundings - be they the family living room, the amusement park, a porno set, or the site of a prison execution - Mitnick's observations reveal his past in engrossing detail. By exploiting the literary conventions of the genre, he crafts an intimate narrative of repressed childhood anger, adolescent rebellion, and thoughtful reflection."--BOOK JACKET.
Through essays, interviews, and narratives by Bruce Sterling, Fiona Raby, Sam Jacob and other significant voices in the field, this volume questions the initial discourses around “design fiction”—a broad category of critical design that includes overlapping interests in science fiction, world building, speculation, and futuring. Made Up: Design’s Fictions advances contemporary analysis and enactment of narrative and speculation as an important part of practice today. Essays, interviews, and narratives by: Julian Bleecker, Benjamin H. Bratton, Anne Burdick, Emmet Byrne, Stuart Candy, Fiona Raby, Tim Durfee, Sam Jacob, Norman M. Klein, Peter Lunenfeld, Geo Manaugh, Tom Marble, m-a-u-s-e-r, Metahaven, China Miéville, Keith Mitnick, MOS, Susanna Schouweiler, Bruce Sterling, Mimi Zeiger. Co-published with Art Center Graduate Press
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No building better embodies the ineffable qualities of rural France than the lavoir, the communal washhouse that, until a few decades ago, was the central gathering place for women in many small villages across the French countryside -" as much a part of communal life as the market. These open-air laundry rooms first appeared for the private use of the social elite in the seventeenth century but flourished as public spaces after the Revolution. Later, they became architectural monuments of regional styles and local materials, often hand-cut stone and hewn timbers, revealing centuries of masonry and woodworking tradition. As running water and modern appliances became standard in French homes ...
The title of this book and of the Architecture League's 23rd Young Architects Forum (an annual competition, exhibition, and publication of work), is derived from the language of computer programming. "If.then" is the contingent phrase that is built into the architecture of programming.
The work of Diller + Scofidio questions how architecture may contribute to a probing and unresolved engagement with the world by challenging the images of stability and control we conventionally confer upon our buildings. Their new design for The Eyebeam Atelier in New York not only reveals the innards of the museum by making a huge transparent billboard of the people, art and media-technology it contains, it also frames the intrinsically mutable identity of any contemporary cultural institution. In the end their proposition for this new media arts and performance center does much more than simply provide an armature for a new vision of art and technology--it produces vision itself.
Combining essays from both practice and academia, this book includes some of the most significant projects and thoughts on materiality from the last decade. Beautifully illustrated with a great deal of technical information throughout, it is not a coffee-table book with no explanation of how, nor a theory book without the description of the projects.
“Artificial Light beats the bejeezus out of the last dozen Thomas Pynchons, the last nineteen Don DeLillos, and the last forty-three Kurt Vonneguts.”—Richard Meltzer “In his ambitious and intriguing debut novel, indie rock expert Greer, author of Guided by Voices, employs one of literature's oldest gambits, the book-within-a-book structure, three times over. A young librarian calling herself Fiat Lux fills a set of notebooks with her passion for books and an enigmatic account of her interlude with Kurt C, a famous indie rock star who appears unheralded in Dayton, Ohio, and buys the long-abandoned Orville Wright mansion. A member of the rock group Whiskey Ships is trying to write about his musical odyssey but longs to return to his book about Orville Wright, whose long-lost diaries also feed the narrative stream. Greer picks the lock on the Kurt Cobain mythos and the rapid commercialization of indie rock…Strong writing and shrewd perceptions prevail, backed by wry humor, compelling stumblebum characters, a true-blue louche atmosphere, and arresting insights into the dream of art, be it literature or rock and roll.”—Booklist
The "rogue," a term that described criminals, prostitutes, vagrants, beggars, and the unemployed, dominated the pages of early modern popular crime literature. Rogue Sexuality resituates the rogue by focusing on how their menace—and their seductive appeal—emerged not only from their social marginality, but also from their supposedly excessive sexuality and prodigious sexual reproduction. Through discussions of both familiar and little-studied early modern works by William Shakespeare, John Milton, Ben Jonson, Thomas Middleton, Thomas Dekker, Robert Greene, Thomas Harman, and the inventor of modern demography John Graunt, this volume posits the sexualized rogue as the avatar of a new cate...