You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
There are a number of noteworthy articles in this issue of The Magazine. We are fortunate to feature some of the correspondence between two legends of crime fiction, Walter Satterthwait and Bill Crider, both of whom recently passed away. For those who knew Walter and Bill, or were just fans of their work, there is a touch of their personalities that comes through in these exchanges and, at least for a moment, gives us an opportunity to experience their unique voices just a little bit, just one more time. Jeff Vorzimmer, editor of last year’s The Best of Manhunt collection, tells us about Stephen Marlowe’s career in the piece leading into his story The Blonde at the Wheel. Jeff also contributed a story of his own and we’re happy to have this opportunity to showcase his many skills. We also have a couple of repeat appearances by writers who have appeared in previous issues. Arthur Klepchukov is back, as is John M. Floyd and John Shepphird. And with original stories by veterans like Josh Pachter and James O. Born, and newer offerings by Michael Cahlin, Steven Nester and Ken Luer, we’re showing the art of the crime fiction short story is still going strong. May it ever be so.
Number of Exhibits: 20_x000D_ Received document entitled: EXHIBITS IN SUPPORT OF PETITION FOR WRIT
None
Volume Seven of The Collected Works of Ken Wilber includes: • A Brief History of Everything (1996) "Combining spiritual sensitivity with enormous intellectual understanding and a style of elegance and clarity, [this book] is a clarion call for seeing the world as a whole."— San Francisco Chronicle . • The Eye of Spirit: An Integral Vision for a World Gone Slightly Mad (1997) uses the spectrum model to create an integral approach to psychology, spirituality, anthropology, cultural studies, and art. • "An Integral Theory of Consciousness," an essay previously unpublished in book form, presents one of the first theories to integrate first-, second-, and third-person accounts of consciousness.