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Sunday Reed was a passionate cook and gardener, who believed in home-grown produce, seasonal cooking and a communal table. Sunday's Kitchen tells the story of food and living at the home of John and Sunday Reed, two of Australia's most significant art benefactors. Settling on the fifteen-acre property in 1935, the Reeds transformed it from a run-down dairy farm into a fertile creative space for artists such as Sidney Nolan, Albert Tucker, Joy Hester and Charles Blackman. Richly illustrated with art, photographs-many previously unpublished-and recipes from Sunday's personal collection, Sunday's Kitchen recreates Heide's compelling and complex story.
Tim Burstall, the celebrated director of Stork, Alvin Purple and numerous other definitive 'ocker' comedies, is credited with shaking the moribund Australian film industry out of its torpor. But long before that, in the early 1950s, he began keeping a diary to record the world of the group of 'arties' and 'intellectuals' he was living among in Eltham, then a rural area outside Melbourne, where cheap land was available for mudbrick houses and studios, and where suburban rigidities could be mercilessly flouted. Burstall was in his mid-twenties, with two young sons and an open marriage with his wife, Betty. Eager to become a writer, to go against the grain, he kept a record almost daily-of the ...
Currawongs appearing at the Manor in vast numbers had come to portend one thing... Death was on its way. When photographer Elizabeth Thorrington is invited to document the history of Currawong Manor for a book, she is keen to investigate a mystery from years before: the disappearance of her grandfather, the notorious artist Rupert Partridge, and the deaths of his wife, Doris, and daughter, Shalimar. For years, locals have speculated whether it was terrible tragedy or a double murder, but until now, the shocking truth of what happened at the Manor that day has remained a secret. Relocating to the manor, Elizabeth interviews Ginger Flower, one of Rupert's life models from the seventies, and Do...
This second edition of Textile Conservation offers an up-to-date perspective on the role and practice of textile conservators, capturing the diversity of textile conservation work across the globe. The volume considers key factors that are integral to effective conservation decision-making. It achieves this by focusing on four major factors that have influenced development in textile conservation practice over the past decades: the changing context, an evolution in the way conservators think about objects, the greater involvement of stakeholders, and technical development. Features of the new edition include: Updated chapters that explain new techniques and recent developments in the field; ...
Volume 19 of the Australian Dictionary of Biography (ADB) contains concise biographies of individuals who died between 1991 and 1995. The first of two volumes for the 1990s, it presents a colourful montage of late twentieth-century Australian life, containing the biographies of significant and representative Australians. The volume is still in the shadow of World War II with servicemen and women who enlisted young appearing, but these influences are dimming and there are now increasing numbers of non-white, non-male, non-privileged and non-straight subjects. The 680 individuals recorded in volume 19 of the ADB include Wiradjuri midwife and Ngunnawal Elder Violet Bulger; Aboriginal rights act...
Colin McCahon: The Titirangi Years was suggested by the McCahon House Trust which has overseen the restoration and preservation of the house in French Bay where McCahon and his family lived in the 1950s. The book gives a comprehensive overview of this crucial period in the work of this great painter.
A colourful introduction to New Zealand's leading art gallery.
During Rhona Haszard's short life she distinguished herself as a "New Woman" whose social and sexual behaviour was highly controversial. She worked as an artist on the Channel Island of Sark, in France, Alexandria and London. She dressed eccentrically, recommended Radclyffe Hall's lesbian novel The Well of Loneliness, spoke positively of de facto relationships and advocated vegetarianism and unprocessed food. Most significantly, she wanted to paint innovatively and professionally. Born in Thames in 1901, Haszard studied at Canterbury College School of Art and worked with fellow students Ngaio Marsh, Evelyn Page, Rata Lovell-Smith and Olivia Spencer Bower. Even in this talented company she established a promising reputation. A successful future seemed assured by her marriage in 1922 to Ronald McKenzie, but her traumatic elopement with Englishman Leslie Greener seemed to threaten it all. Escaping with Greener to France in the 1920s, her brighter, Post-Impressionist style rapidly brought international recognition, and in London she participated in a number of significant exhibitions. Her life was tragically cut short at the age of thirty.
Public libraries, through their mission, vision, and position in the community, play a significant part in building community sustainability and are already positioned to serve as a “backbone support organization” for collective impact initiatives.