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Presents a collection of essays by leading academic critics on the structure, characters, and themes of the novel.
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In this minutely detailed, comprehensive chronology, Toru Kiuchi and Yoshinobu Hakutani document the life in letters of the greatest African American writer of the twentieth century. The author of Black Boy and Native Son, among other works, Wright wrote unflinchingly about the black experience in the United States, where his books still influence discussions of race and social justice. Entries are documented by Wright's journals, articles, and other works published and unpublished, as well as his letters to and from friends, associates, writers and public figures. Part One covers Wright's life through the year 1946, the period in which he published his best-known work. Part Two covers the final fifteen years of his life in exile, a prolific period in which he wrote two novels, four works of nonfiction, and four thousand haiku. Each part begins with a historical and critical introduction.
An introduction to Richard Wright's novel Black Boy for high school students, which includes relevant biographical background on the author, explanations of various literary devices and techniques, and literary criticism for the novice reader --Provided by publisher.
Faced with Eudora Welty's preference for the oblique in literary performances, some have assumed that Welty was not concerned with issues of race, or even that she was perhaps ambivalent toward racism. This collection counters those assumptions as it examines Welty's handling of race, the color line, and Jim Crow segregation and sheds new light on her views about the patterns, insensitivities, blindness, and atrocities of whiteness. Contributors to this volume show that Welty addressed whiteness and race in her earliest stories, her photography, and her first novel, Delta Wedding. In subsequent work, including The Golden Apples, The Optimist's Daughter, and her memoir, One Writer's Beginning...
Richard Wright is one of the greatest African-American writers of the 20th century. His masterpiece Native Son is analyzed in this volume of essays.
"This book maps the rise of a modern liberal culture in the United States from the 1930s to the 1960s. It shows how modern fiction writers responded to central concerns in liberal political thought, such as corporate ownership, reproductive rights, colorblind law, and presidential character"--
One of America's great African-American writers, Richard Wright achieved critical and popular acclaim with the publication of Native Son, a novel, and Black Boy, an autobiography. Blurring the boundaries between fact and fiction, Black Boy vividly depicts Wright's journey from a child growing up in the South during the time of Jim Crow segregation laws through his creative and imaginative development as a writer and intellectual. Black Boy is both a unique autobiography and a racial discourse, chronicling Wright's continual fight against prejudice and racism as well as his quest for self-liberation. Against significant odds, Wright became America's first best-selling black author, and Black Boy became an American classic. Its enduring story documents what it means to be a black man, a southerner, and a writer in the United States. Book jacket.
A biography of Native Son's Bigger Thomas that examines his continued relevance in debates over Black men and the violence of racism Bigger Thomas, the central figure in Richard Wright's novel Native Son (1940), eludes easy categorization. A violent and troubled character who rejects the rules of society, Bigger is both victim and perpetrator, damaged by racism and segregation on the South Side of Chicago, seemingly raping and killing without regrets. His story has electrified readers for more than eight decades, and it continues to galvanize debates around representation, respectability, social justice, and racism in American life. In this book, distinguished scholar Trudier Harris examines...
First published in 2000.This book takes a transnational feminist approach to the literature of three contemporary women authors, Virginia Woolf, Alice Walker, and South African writer Zoe Wicomb. The author draws from post-colonial studies and considers how gender collides with race, national origin, and class in women's oppression.