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In 1926, two British women came from Cornwall to Edmonton and travelled through northern Alberta, the Northwest Territories, and the Yukon by rail, sternwheeler, and canoe. For the women, it was a liberating experience, yet Vyvyan's narrative, supported by MacLaren and LaFramboise's insightful editorial work, reveals the imperialist attitudes underlying their travels.
Ken Conibear, Northern pioneer, Rhodes Scholar and storyteller of life in Canada's far North, writes of his exciting, dangerous, and humourous experiences taking his boat, the Lady Greenbelly, over 1000 miles from Fort Nelson down the majestic and rugged Mackenzie River to the Arctic Ocean. He took on this adventure for two reasons. First, he intended to carry freight to the Arctic communities with his newly acquired freight scow, the Lady Greenbelly, and then sell her there for a handsome profit. Second, Bill Sweet, an elderly, retired insurance salesman from Seattle who had read Ken's previous books, had convinced Ken to take him and a young friend, Jack Havens, on a side trip-a wilderness...
First-person stories and period photographs present a unique insight into university lore from the vantage point of students and alumni.
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Demers revives the memory of journalist Miriam Green Ellis, an all-but-forgotten feminist, suffragist, and agricultural reporter who documented the modernist sphere for over four decades and who refused to be confined to the "women's pages." With written material from the University of Alberta's Miriam Green Ellis Collection, accompanied by an excellent selection of photographs, Ellis's inimitable voice and views on Albertans, westerners, and Canadians in the early decades of the twentieth century emerge clearly. Readers interested in Canadian women studies, journalism, or feminism will find Ellis's highly coloured perspective both entertaining and informative.
This is a realistic novel of the Canadian Northwest, situated on Little Bent Tree Lake in Canada's Northwest Territories, in which animals are the chief characters. It describes with humour, drama and pathos a whole community of animals and birds and their unceasing struggle to live. It is neither a fantasy nor a treatise. It is fiction, with creatures of the world playing the main parts in the drama- the beaver, the muskrat, the silver fox, the whiskey-jack, wolverine and many others. Along with all the emotions that make any story worth reading- love, hate, fear, envy- here are such animal/human qualities as heroism, devotion, mother love, fidelity, cunning, all portrayed through the lives of the book's characters. Their loves, hunger, feasts, fights, sadness, gladness, deaths, their interrelations, the part played in their lives by winter, summer, the snows, the winds, the buildings of the beaver, the introduction of fear into their lives because of the introduction of man, the hunter/trapper- these are combined into a unified plot which draws to an exciting climax.
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Autobiographical impostures, once they come to light, appear to us as outrageous, scandalous. They confuse lived and textual identity (the person in the world and the character in the text) and call into question what we believe, what we doubt, and how we receive information. In the process, they tell us a lot about cultural norms and anxieties. Burdens of Proof: Faith, Doubt, and Identity in Autobiography examines a broad range of impostures in the United States, Canada, and Europe, and asks about each one: Why this particular imposture? Why here and now? Susanna Egan’s historical survey of texts from early Christendom to the nineteenth century provides an understanding of the author in r...